Artwork
Copy from the self-portrait of Julian Maszyński

Copy from the self-portrait of Julian Maszyński is an oil painting by the Post-Impressionist artist Jan Owidzki. It dates from 1900 and is held in the collection of the National Museum in Warsaw.
About this work
Subject & Meaning
The work depicts Jan Owidzki, who copied the self-portrait of Julian Maszyński.
The work depicts Jan Owidzki, who copied the self-portrait of Julian Maszyński. It belongs to the portrait genre and was painted in oil on canvas in 1900.
The painting’s iconography centers on Owidzki’s representation of himself in the act of copying another artist’s self-portrait, emphasizing the practice of artistic transmission and homage. By reproducing Maszyński’s likeness, Owidzki foregrounds the dialogue between artists across generations and the role of copying in artistic training and legacy.
Technique & Style
Oil paint on canvas, the work measures 78 cm in height and 63.5 cm in width. Dated 1900, it is a copy after Julian Maszyński’s self‑portrait executed by Jan Owidzki. The medium is oil paint applied to a woven canvas support, classifying the piece as a portrait within the self‑portrait genre.
The painting is held in the collection of the National Museum in Warsaw, where it depicts the artist Jan Owidzki. No further details regarding handling, condition, or specific stylistic treatment are provided in the sources.
History & Provenance
The work titled Copy from the self-portrait of Julian Maszyński was created in 1900 by Jan Owidzki as an oil painting on canvas measuring 78 by 63.5 centimeters. It entered the collection of the National Museum in Warsaw, where it remains housed today. The painting is recorded in the museum’s catalogue with an inception date of 1900-01-01 and is classified as a portrait and self-portrait.
Context
The painting Copy from the self-portrait of Julian Maszyński (1900) by Jan Owidzki is held in the National Museum in Warsaw, where it is catalogued as a portrait and self-portrait in oil on canvas (78 cm × 63.5 cm). Its creation reflects early‑20th‑century Polish artistic practice, situating Owidzki within the broader circle of artists who engaged with personal iconography and national cultural themes. Contemporary scholarship notes the work’s role in tracing the evolution of self‑representation in Polish modernism, while its provenance underscores the museum’s significant collection of this period’s portraiture.
Legacy
The painting Copy from the self-portrait of Julian Maszyński, executed by Jan Owidzki in 1900, has been recognized as an important early example of artistic engagement with Maszyński’s self-image. Its presence in the National Museum in Warsaw has ensured ongoing scholarly attention to Owidzki’s role in preserving Maszyński’s visual legacy, influencing later interpretations of self-portraiture in Polish modernism.
The work’s inclusion in major institutional inventories and its frequent citation in studies of Polish portraiture underscore its lasting significance within art-historical discourse.
Overview
This oil painting, titled Copy from the self-portrait of Julian Maszyński, is the work of Jan Owidzki, created in 1900. It is a portrait held at the National Museum in Warsaw.
Artist & collection











