Artwork

The Apocalpse: An Innumerable Multitude which stand before the Throne

The Apocalpse: An Innumerable Multitude which stand before the Throne is a print by the Renaissance artist Jean Duvet. It dates from 1555 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 1939.672
Credit line: Dudley P. Allen Fund

About this work

Overview

The Apocalypse: An Innumerable Multitude Which Stand Before the Throne is a 1555 engraving by Jean Duvet, a pioneering French Renaissance printmaker. This work exemplifies Duvet's characteristic style, marked by dense compositions and profound religious themes.

Subject & Meaning

The engraving depicts a biblical scene from the Apocalypse, showing a throng of figures in flowing robes gathered around a throne-like structure, with additional figures above, some holding symbolic objects like books and staffs, set against a backdrop of ancient ruins.

Technique & Style

Duvet employed sharp lines and heavy shading to create depth and convey movement within the chaotic, crowded composition. The contrast between the grounded lower figures and the weightless, pose-striking figures above adds to the dynamic effect.

History & Provenance

Created in 1555, this engraving is part of Duvet's output of approximately 73 engravings. It is inscribed with 'HIST CAP APOC', abbreviating 'History of the Apocalypse', contextualizing its theme.

Context

Duvet's work, including this piece, stands out in Renaissance printmaking for its naive, immediate quality, often drawing comparisons to the later stylistic freedoms of William Blake.

Legacy

As the first significant French printmaker, Duvet's innovations, as seen in 'The Apocalypse', influenced the development of French printmaking, leaving a lasting impact on the medium's expressive possibilities.