Where can I see The Apocalypse: The Angel in the Sun Calling the Birds of Prey?

The Apocalypse: The Angel in the Sun Calling the Birds of Prey is held by Cleveland Museum of Art.

What movement is The Apocalypse: The Angel in the Sun Calling the Birds of Prey?

The Apocalypse: The Angel in the Sun Calling the Birds of Prey is associated with Renaissance.

Can I buy a print of The Apocalypse: The Angel in the Sun Calling the Birds of Prey?

Museum-quality prints of The Apocalypse: The Angel in the Sun Calling the Birds of Prey are available made-to-order from Artifact World Gallery.

Artwork

The Apocalypse: The Angel in the Sun Calling the Birds of Prey

Jean Duvet , 1551

The Apocalypse: The Angel in the Sun Calling the Birds of Prey is a print by the Renaissance artist Jean Duvet. It dates from 1551 and is held in the collection of the Cleveland Museum of Art. This print is one of 23 engravings in a rare, complete set illustrating the Apocalypse from the Revelation of Saint John.

Accession no.: 1953.213.26
Credit line: Gift of the Hanna Fund

About this work

Overview

This print is one of 23 engravings in a rare, complete set illustrating the Apocalypse from the Revelation of Saint John. Only seven such complete sets are known to exist, with this example housed at The Cleveland Museum of Art.

Subject & Meaning

The print depicts a pivotal apocalyptic scene: an angel positioned in the sun, summoning birds of prey. This imagery is derived directly from biblical narrative, specifically the Revelation of Saint John.

Technique & Style

Jean Duvet's work showcases a unique blend of influences. His figures, modeled after Italian High Renaissance styles (notably through prints by Marcantonio Raimondi), are set within densely composed, ornamental patterns that eschew traditional spatial logic in favor of surface decoration.

History & Provenance

Created over several years, this series represents Duvet's magnum opus. Despite working primarily in Langres, a provincial French city, Duvet achieved prominence as one of France's first major printmakers in the 16th century.

Context

Duvet's awareness of Italian art, despite his provincial location, highlights the significant role of circulated prints in disseminating Renaissance styles across Europe during the 1500s.