Provenance · Gift
Hanna Fund
This catalog gathers 98 public-domain works given to the museum by Hanna Fund. Every work is held by Cleveland Museum of Art.
-
Virgin and Child Enthroned -
The Coronation of the Virgin with the Trinity -
The Adoration of the Magi -
Madonna and Child -
The Mass of Saint Gregory -
The Visitation -
Saint John the Baptist -
Reading -
Under the Trees (from "The Public Gardens") -
Portrait of Juan Maria Osorio -
Café Wepler -
Romaine Lacaux -
Christ on the Cross -
The Return of the Holy Family to Nazareth -
The Annunciation -
Saint Nicholas of Bari -
The Large Plane Trees (Road Menders at Saint-Rémy) -
Christ with Joseph of Arimathea -
Portrait of a Family Playing Music -
Fight Between a Tiger and a Buffalo -
Streams and Mountains without End -
A Bearded Man Wearing a Hat -
Portrait of a Man, Possibly Girolamo Rosati -
Woman Meditating -
A Genoese Lady with Her Child -
The Peaceable Kingdom -
The Rathskeller -
Saint Peter Repentant -
The Call -
Spring Flowers -
Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of SS. Giovanni e Paolo, 1782 -
Baptism of Christ -
Frieze of Dancers -
Pontifical Ceremony in SS. Giovanni e Paolo, Venice, 1782 -
Edge of the Woods Near L'Hermitage, Pontoise -
Still Life with Rayfish -
Chrysanthemums by a Stream -
Portrait of a Woman -
The Dead Christ -
Ascension of Christ -
The Laundress -
The Royal Majesty -
Street Corner Seen from Above -
The Apocalypse: The Woman Clothed with the Sun -
The Apocalypse: Babylon the Harlot, Seated on the Seven-headed Beast -
Boulevard -
Houses in the Courtyard -
Avenue du Bois de Boulogne -
The Apocalypse: St. John Sees the Four Riders -
Henry II, King of France -
The Apocalypse: St. John on the Island of Patmos -
The Arc de Triomphe -
The Apocalypse: The Dragon with Two Horns and the Beast with Seven -
The Square at Evening -
The Apocalypse: The Winepress of the Wrath of God -
Street at Evening in the Rain -
The Apocalypse: The Fall of Babylon -
Street Scene from Above -
Interior with a Hanging Lamp -
Interior with Pink Wallpaper II -
The Apocalypse: St. John Summoned to Heaven -
The Apocalypse: The Angel in the Sun Calling the Birds of Prey -
The Game of Checkers -
The Apocalypse: An Innumerable Multitude Which Stand before the Throne -
The Apocalypse: Satan Bound for a Thousand Years -
Street Corner -
Cover -
Across the Fields -
The Hearth -
The Two Sisters-in-Law -
The Apocalypse: The Beast with Seven Heads and Ten Horns -
Bridge -
The Apocalypse: St. John Sees Seven Golden Candlesticks -
Moses Surrounded by the Patriarchs -
The Apocalypse: The Measurement of the Temple -
The Apocalypse (bound volume) -
On the Pont de l'Europe -
Interior with Pink Wallpaper I -
Interior with Pink Wallpaper III -
The Pastry Shop -
The Apocalypse: A Star Falls and Makes Hell to Open -
The Apocalypse: Christ Mounted on a White Horse -
The Apocalypse: The Martyrdom of St. John the Evangelist -
The Apocalypse: The Opening of the Seventh Seal -
Christ on the Cross between the Two Thieves -
The Apocalypse: Four Angels Holding Back the Winds -
The Apocalypse: The Angel Shows St. John the Fountain of Living Water -
Landscapes and Interiors -
The Costermonger -
Marriage of Adam and Eve -
At the Theatre -
The Apocalypse: The Angel Gives St. John the Book to Eat -
The Cook -
The Apocalypse: The Angel Shows St. John the New Jerusalem -
The Apocalypse: Duvet Studying the Apocalypse -
The Avenue -
The Apocalypse: St. Michael and the Dragon -
The Apocalypse: The Angel Sounding the Sixth Trumpet
On provenance & the public domain
A credit line — the small "Gift of…" note beside a work on a museum wall — records its provenance: how the object passed from a private hand into a public collection, whether as an outright gift, a bequest left in a will, the purchase from a named endowment, or an entire collection acquired at once. Because these works are in the public domain, anyone can study, share, and reproduce them freely. Browsing by provenance follows the human story behind a museum's holdings — the collectors and benefactors whose generosity put these works where the public can see them.
Every work in this catalog is in the public domain; images come from the museums that hold them.