Artwork
Anton Triest
Anton Triest is an ink print by the Baroque artist Pieter de Jode II. It dates from 1632 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:lower margin in plate: PERILL:VS ET RE.MVS DNVS D. ANTONIVS TRIEST EPISCOPUS GANDAVENSIS / TOPARCHA DOMIN. S.TI BAVONIS COMES EVERGHEMIENSIS ET REGIAE MA:TI / A CONSILIO STATUS ETC. / G.H.; lower left in plate: Ant. van Dyck pinxit/ Pet. de. Joden Scu[l]p.; lower right in plate: cum privilegio; upper left verso, pen and brown ink [faded]: 4 nr. 16; by later hand, lower margin verso, in blue pencil: 276; by later hand, lower center verso, in graphite: HW 246.; by later hand, lower right verso, in graphite: 333
- Markings
- Marked:stamp, verso lower left, in blue ink: CR [in escutcheon]; stamp, verso lower center, in black ink: Dr A.S. [in oval] [L. 787]
About this work
Overview
Pieter de Jode II's 1632 engraving, Anton Triest, is a black-and-white portrait print featuring a bearded man in period attire.
Subject & Meaning
The subject, Anton Triest, is depicted in contemplation, his profile turned slightly to the side. The emphasis on his face and clothing, set against a dark background, suggests a focus on character and dignity.
Technique & Style
The engraving showcases fine lines to render the intricate folds of the ruffled collar and draped cloak, as well as the texture of the subject's long beard and mustache, exemplifying the detailed craftsmanship of 17th-century printmaking.
History & Provenance
Created in 1632, the work bears an inscribed name at the bottom, though its legibility has diminished over time. The style of the inscription reflects antiquated typography.
Own this work as a print
Artist & collection
