Artwork
Two Arab Women
Two Arab Women is an oil painting by John Singer Sargent. It dates from 1905 and is held in the collection of the Metropolitan Museum of Art.
About this work
Technique & Style
Two Arab Women is executed in oil paint on canvas, a standard medium for John Singer Sargent's easel paintings of this period. The relatively modest dimensions of 53.3 by 64.1 cm indicate a small-scale, intimate format consistent with a studio work rather than a major exhibition piece. The painting depicts a woman and is held in the collection of the Metropolitan Museum of Art.
History & Provenance
The painting Two Arab Women was created by John Singer Sargent in 1905. The work entered the collection of the Metropolitan Museum of Art, where it remains held. The painting’s dimensions are 53.3 cm in height and 64.1 cm in width, and it is executed in oil on canvas.
Overview
John Singer Sargent’s 1905 oil painting Two Arab Women portrays a quiet interior scene in which a pair of women sit side by side, their white garments illuminated against a dim, indistinct background. The work is part of the permanent collection of the Metropolitan Museum of Art in New York.
Subject & Meaning
The composition focuses on two figures dressed in loose, white robes and modest head coverings, their expressions subdued and contemplative. One figure rests her head on a hand, while the other holds a folded piece of cloth, suggesting a moment of repose or private conversation within an intimate domestic space.
Context
Created during the early twentieth‑century period when Sargent was expanding beyond his celebrated society portraits, the painting reflects his interest in Orientalist themes and the everyday lives of people he encountered on his travels. The work aligns with his broader practice of using oil, watercolor, and drawing to document diverse cultural settings.
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Artist & collection
Artist
John Singer Sargent (; January 12, 1856 – April 15, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Belle Époque and Edwardian-era luxury.
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