Artwork
Self-portrait

Self-portrait is an oil painting by the Spanish Baroque Tenebrist artist Juan Antonio Benlliure. It dates from 1915 and is held in the collection of the Museo del Prado.
About this work
Technique & Style
Executed in 1915, this self-portrait by Juan Antonio Benlliure is an oil painting on canvas. The work measures 66 cm in height and 51 cm in width. As a portrait genre piece, the composition focuses on the depiction of the artist himself. The painting is currently held in the collection of the Museo del Prado.
History & Provenance
The provided sources do not list a specific inventory or accession number for the piece, nor do they contain details regarding its exhibition history.
The Self-portrait by Juan Antonio Benlliure was painted in 1915, executed in oil on canvas. According to Wikidata records, the work entered the collection of the Museo del Prado, where it remains held. The painting measures 66 cm in height by 51 cm in width, and depicts the artist himself as its main subject.
No further details regarding commission, intermediate ownership, or acquisition history are documented in the available sources.
Juan Antonio Benlliure's Self-portrait, painted in 1915, is held in the collection of the Museo del Prado in Madrid. The work is executed in oil on canvas and measures 66 cm in height by 51 cm in width. The provided sources do not list a specific inventory or accession number for the piece, nor do they contain details regarding its exhibition history.
Overview
Created in 1915, this oil painting is a self‑portrait by the Spanish artist Juan Antonio Benlliure. The work shows the artist himself seated, dressed in a formal suit with a white shirt and a dark bow tie. It is part of the collection of the Museo del Prado, where it is displayed among other early‑20th‑century Spanish works.
Subject & Meaning
The portrait presents Benlliure as a dignified figure, emphasizing his professional identity through the tailored attire. The direct gaze and composed posture suggest confidence and a desire to present himself as a serious practitioner of his craft, reflecting the broader tradition of artists asserting their status through self‑representation.
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