Who painted Paris in 1867: View from the Trocadéro?

Paris in 1867: View from the Trocadéro was painted by Maxime Lalanne in 1867.

Where can I see Paris in 1867: View from the Trocadéro?

Paris in 1867: View from the Trocadéro is held by National Gallery of Art.

What movement is Paris in 1867: View from the Trocadéro?

Paris in 1867: View from the Trocadéro is associated with Impressionism.

Can I buy a print of Paris in 1867: View from the Trocadéro?

Museum-quality prints of Paris in 1867: View from the Trocadéro are available made-to-order from Artifact World Gallery.

Artwork

Paris in 1867: View from the Trocadéro

Maxime Lalanne , 1867

Paris in 1867: View from the Trocadéro is an ink print by the Impressionist artist Maxime Lalanne. It dates from 1867 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:in plate lower left: Paris en 1867 / Maxime Lalanne; by later hands in graphite lower left: à Monsieu Deli[c?]le / de la [??]rt de son ami F. V.
Markings: Marked:(stamp in blue, not in Lugt)

About this work

Overview

Created in 1867, this etching on chine collé by French printmaker Maxime Lalanne offers a wide‑angle view of Paris as seen from the Trocadéro. The composition captures the city’s riverfront, bustling promenades, and distant architectural landmarks, presenting a snapshot of mid‑nineteenth‑century urban life.

Subject & Meaning

The image portrays a lively riverside scene: pedestrians stroll along a quay, vessels navigate the Seine, and a prominent tower rises on the horizon. Industrial activity is hinted at by a chimney’s plume, while the sky is lightly clouded, suggesting a typical day in the capital’s public space.

Technique & Style

Lalanne employed fine, closely spaced lines characteristic of mid‑1800s etching, rendering textures from clothing to architectural detail. The chine collé support, a thin paper adhered to a sturdier backing, allows delicate line work while preserving the print’s structural integrity, a method favored for its crispness.

History & Provenance

Executed the same year as the Exposition Universelle, the print reflects contemporary interest in documenting Paris’s modernization. Lalanne, known for his topographical prints, produced the work for the market of collectors seeking accurate visual records of the city’s evolving landscape.