Who painted Head of an Old Man?

Head of an Old Man was painted by Alphonse Legros in 1874.

Where can I see Head of an Old Man?

Head of an Old Man is held by National Gallery of Art.

What movement is Head of an Old Man?

Head of an Old Man is associated with Romanticism.

Can I buy a print of Head of an Old Man?

Museum-quality prints of Head of an Old Man are available made-to-order from Artifact World Gallery.

Artwork

Head of an Old Man

Alphonse Legros , 1874

Head of an Old Man is a chalk drawing by the Romanticist artist Alphonse Legros. It dates from 1874 and is held in the collection of the National Gallery of Art. Created in 1874, this monochrome drawing portrays the face of an elderly man rendered in black chalk.

Inscription: Inscribed:upper right: A.L; in later hand; center verso in graphite on mount: Tete de vieillard (For the etching) / by Alphonse Legros / (Frank E. Bliss Colln.) / (KK1190)

About this work

Overview

Created in 1874, this monochrome drawing portrays the face of an elderly man rendered in black chalk. The composition captures a moment of quiet introspection, with the subject’s gaze directed downward and his head turned slightly to the right. The work exemplifies Legros’s interest in the human figure and his skill in conveying texture and mood through line.

Subject & Meaning

The sitter is an aged male figure distinguished by a long white beard and a partially balding head, with hair remaining on the sides. His downcast eyes and serene expression suggest a contemplative state, inviting viewers to consider themes of age, experience, and the passage of time without overt narrative detail.

Technique & Style

Executed entirely in black chalk, the drawing relies on delicate, expressive strokes to model the facial features and the softness of the beard. Legros employs subtle gradations of tone, allowing the medium’s inherent velvety quality to suggest volume and atmosphere while maintaining a restrained, almost Romantic sensibility.

History & Provenance

Alphonse Legros, a French-born artist who settled in Britain after 1863, produced the work during his early years in London, a period when he was instrumental in reviving British etching. The drawing reflects his broader practice in drawing and sculpture, and it remains documented as part of his output from the 1870s, though its later ownership history is not extensively recorded.