Artwork
Stilleven met aardbeien in een witte schaal
Stilleven met aardbeien in een witte schaal is an oil painting by the Impressionist artist Margaretha Roosenboom. It dates from 1894 and is held in the collection of the Rijksmuseum.
About this work
Subject & Meaning
Executed in 1888, this oil painting by Margaretha Roosenboom presents a classic still life composition centered on a white plate holding fresh strawberries.
Executed in 1888, this oil painting by Margaretha Roosenboom presents a classic still life composition centered on a white plate holding fresh strawberries. The arrangement includes accompanying leaves and rests upon a table surface, emphasizing the naturalistic depiction of these organic forms. As a work within the still life genre, the piece focuses on the visual representation of everyday objects, specifically highlighting the texture and color of the fruit against the simple ceramic vessel.
The iconography relies on the direct observation of these items without additional narrative elements described in the available records.
Technique & Style
Margaretha Roosenboom executed Stilleven met aardbeien in een witte schaal in 1888 using oil paint applied to a canvas support. This work belongs to the still life genre and depicts a composition featuring strawberries, a white plate, leaves, and a table surface. The painting measures 45 cm in height and 58 cm in width.
As an oil-on-canvas piece created in the late 19th century, it represents the artist's engagement with domestic subject matter and traditional painterly techniques of the period.
History & Provenance
Stilleven met aardbeien in een witte schaal was gemaakt door Margaretha Roosenboom in 1888, uitgevoerd in olieverf op doek. Het werk maakt deel uit van de collectie van het Rijksmuseum, waar het thans wordt bewaard. De bronnen vermelden geen verdere informatie over opdrachtgevers, vroegere eigenaren of wijzigingen in het bezit na de voltooiing.
Daarom beperkt de bekendste geschiedenis zich tot de datering, de maker en de huidige museumlocatie. Het schilderij valt binnen het genre stilleven en toont aardbeien, een wit bord, bladeren en een tafel.
The painting Stilleven met aardbeien in een witte schaal is held in the collection of the Rijksmuseum in Amsterdam. Created by Margaretha Roosenboom in 1888, the work is an oil on canvas still life measuring 45 cm in height and 58 cm in width. The provided sources confirm its location and physical attributes but do not specify an inventory or accession number for the piece. Additionally, no exhibition history is recorded in the available documentation.
Legacy
Stilleven met aardbeien in een witte schaal (1888) is an oil on canvas still‑life by Dutch artist Margaretha Roosenboom. The composition shows strawberries, a plate, a leaf and a tabletop rendered with meticulous detail. The painting is part of the Rijksmuseum’s collection, where it is displayed as an exemplar of late‑19th‑century Dutch still‑life practice.
Its inclusion in the museum’s holdings underscores the work’s continued relevance to the study of Dutch genre painting and provides a reference point for later artists interested in realistic fruit depiction. The work’s precise rendering and composition have been cited in scholarship on the evolution of Dutch still‑life from the 17th to the 19th century.
Overview
Margaretha Roosenboom's 'Stilleven met aardbeien in een witte schaal' (Still Life with Strawberries in a White Bowl), executed in 1894, is a refined example of her late-career focus on intimate domestic subjects. The composition centers on a cluster of ripe strawberries rendered in varied shades of red and pink, contained within a white ceramic bowl distinguished by a yellow rim. A single large green leaf positioned behind the vessel provides a chromatic counterpoint, while the deep, dark background isolates the fruit and vessel, emphasizing their tactile forms and vibrant hues.
Roosenboom, a prominent Dutch painter known for her precise botanical accuracy and delicate handling of light, created this work during a period when she had established a reputation for high-quality still lifes that avoided the heavy sentimentality of earlier traditions. The painting demonstrates her mastery of texture, particularly in the depiction of the fruit's surface and the smooth glaze of the porcelain. Executed in oil paint, the work reflects the artist's commitment to realism and her ability to elevate simple, everyday objects into subjects of quiet aesthetic contemplation.
This piece remains representative of her contribution to late 19th-century Dutch still life painting, bridging the gap between traditional genre conventions and a more modern, observational approach.
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