Who painted Shields of Henry IV and Maria de Medici [left half]?

Shields of Henry IV and Maria de Medici [left half] was painted by Simon van de Passe in 1621.

Where can I see Shields of Henry IV and Maria de Medici [left half]?

Shields of Henry IV and Maria de Medici [left half] is held by National Gallery of Art.

What movement is Shields of Henry IV and Maria de Medici [left half]?

Shields of Henry IV and Maria de Medici [left half] is associated with Renaissance.

Can I buy a print of Shields of Henry IV and Maria de Medici [left half]?

Museum-quality prints of Shields of Henry IV and Maria de Medici [left half] are available made-to-order from Artifact World Gallery.

Artwork

Shields of Henry IV and Maria de Medici [left half]

Simon van de Passe , 1621

Shields of Henry IV and Maria de Medici [left half] is an ink print by the Renaissance artist Simon van de Passe. It dates from 1621 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:Simon Passaeus fecit

About this work

Overview

Simon van de Passe’s 1621 engraving, derived from a silver medal, presents a paired heraldic composition. Two shields are conjoined beneath a crown, rendered in stark black‑and‑white line work that emphasizes the intricate surrounding ornamentation.

Subject & Meaning

The left shield bears a dotted field crossed by a simple cross, while the right shield displays three fleur‑de‑lis, a motif traditionally associated with French royal symbolism. The crowning element above the shields reinforces a connection to monarchy or noble authority.

Technique & Style

Executed as an intaglio print, the image translates the relief details of the original medal into fine incised lines. Van de Passe employs dense hatching for foliage, stars, and scroll motifs, creating a richly textured surface despite the monochrome palette.

Context

Created in the early seventeenth century, the work reflects the period’s interest in commemorating dynastic alliances through portable medals. The inclusion of both French and possibly French‑influenced heraldry suggests a celebration of the union between Henry IV of France and his consort, Marie de’ Medici.