Artwork
Study of a woman with a girl

Study of a woman with a girl is an oil painting by Olga Boznańska. It dates from 1897 and is held in the collection of the National Museum in Warsaw.
About this work
Overview
Both subjects face the viewer directly, their physical closeness emphasized by the woman's arm wrapped protectively around the child.
Study of a woman with a girl, executed in 1897 by Olga Boznańska, is an oil painting that captures an intimate portrait of a woman and a young girl against a muted gray background. The composition centers on the two figures, with the woman, draped in a green shawl, embracing the girl who wears a blue dress. Both subjects face the viewer directly, their physical closeness emphasized by the woman's arm wrapped protectively around the child.
Boznańska employs her characteristic loose, atmospheric brushwork, particularly evident in the treatment of the woman's face, which appears blurred and indistinct. This technique, often described as 'painterly,' prioritizes the overall mood and tonal harmony over precise anatomical definition. Created during a period when the artist was gaining significant recognition in Paris, the work exemplifies her mature style, which blends Impressionist light with a psychological depth typical of late 19th-century portraiture.
The painting reflects Boznańska's interest in domestic intimacy and her ability to convey emotional resonance through subtle color relationships and soft edges, securing her reputation as a leading female portraitist of her era.
Subject & Meaning
The canvas presents a mother‑figure and a young child positioned side by side, both looking directly at the viewer. The adult wears a green shawl, while the child is dressed in a blue garment, creating a modest contrast of colors that emphasizes their intimate connection.
Technique & Style
Boznańska employed a loose, almost sketch‑like approach: the woman’s dark hair is gathered back and her facial features are rendered with soft, indistinct brushwork, while the girl’s red hair and face are slightly more defined yet still blurred. Muted tonal values and gentle strokes generate a quiet, contemplative atmosphere.
History & Provenance
Since its creation in the late 1890s, the painting has remained in Poland, eventually entering the National Museum’s collection in Warsaw. No record indicates that it has been exhibited elsewhere or transferred between private owners.
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Artist & collection
Artist
Olga Boznańska (15 April 1865 – 26 October 1940) was a Polish painter who was stylistically associated with the French impressionism, though she rejected this label.


















