Artwork
El rey Alfonso XIII

El rey Alfonso XIII is an oil painting by the Spanish Baroque Tenebrist artist Román Navarro. It dates from 1912 and is held in the collection of the Museo del Prado. Roman Navarro’s 1912 oil portrait presents King Alfonso XIII in full regalia.
About this work
Subject & Meaning
The painting portrays King Alfonso XIII of Spain as its sole main subject, executed by Román Navarro in 1912.
The painting portrays King Alfonso XIII of Spain as its sole main subject, executed by Román Navarro in 1912. As a formal portrait, the work focuses entirely on the monarch, presenting him as the central figure without additional narrative elements or allegorical figures described in the available records. The composition serves to document the appearance and status of the Spanish king during the early 20th century, adhering to the conventions of royal portraiture.
Technique & Style
Román Navarro executed the portrait El rey Alfonso XIII in 1912 using oil paint applied to a canvas support. The work measures 120 cm in height and 79 cm in width. Classified as a portrait, the painting depicts King Alfonso XIII. The medium and dimensions are consistent with formal easel painting traditions of the early 20th century.
History & Provenance
The painting was commissioned as a portrait of Alfonso XIII and created in 1912 by Román Navarro. It was painted in oil on canvas and measures 120 cm by 79 cm. The work entered the collection of the Museo del Prado, where it remains on display. Its creation history is documented in archival records as part of the early 20th-century Spanish portrait tradition.
Overview
Roman Navarro’s 1912 oil portrait presents King Alfonso XIII in full regalia. The canvas, part of the Prado’s collection, captures the monarch in a striking blue uniform adorned with gold braid, medals, and a red sash, set against a dark backdrop that accentuates the vivid colors.
Context
The portrait was produced during Alfonso XIII’s reign, a time marked by social unrest and the lead‑up to the Spanish Civil War. By depicting the king in elaborate military attire, Navarro contributes to the visual propaganda that reinforced monarchical legitimacy amid growing challenges to the crown.
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