Where can I see Specimens of Polyautography: Boy Seated on a Grassy Bank?

Specimens of Polyautography: Boy Seated on a Grassy Bank is held by Cleveland Museum of Art.

What movement is Specimens of Polyautography: Boy Seated on a Grassy Bank?

Specimens of Polyautography: Boy Seated on a Grassy Bank is associated with Romanticism.

Can I buy a print of Specimens of Polyautography: Boy Seated on a Grassy Bank?

Museum-quality prints of Specimens of Polyautography: Boy Seated on a Grassy Bank are available made-to-order from Artifact World Gallery.

Artwork

Specimens of Polyautography: Boy Seated on a Grassy Bank

Thomas Barker , 1803

Specimens of Polyautography: Boy Seated on a Grassy Bank is a print by the Romanticist artist Thomas Barker. It dates from 1803 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 1940.1091
Credit line: Mr. and Mrs. Lewis B. Williams Collection

About this work

Overview

Thomas Barker’s 1803 print, titled Specimens of Polyautography: Boy Seated on a Grassy Bank, is part of the Cleveland Museum of Art’s collection. The work presents a solitary figure of a youth positioned on a grassy slope, rendered in a quick, linear manner that emphasizes gesture over detail.

Subject & Meaning

The composition depicts a boy with one leg folded and the other extended, his posture relaxed yet attentive. He holds a modest bundle of twigs in his lap, suggesting a moment of pause in an outdoor activity, perhaps gathering firewood or examining nature.

Technique & Style

Barker employs a sparse network of sketchy lines to model light and shadow, creating a subtle chiaroscuro that gives the figure a modest three‑dimensional presence. The economy of line and the soft tonal transitions reflect common practices in early‑19th‑century drawing, where immediacy and tonal suggestion were prized.

History & Provenance

Created in 1803, the print entered the Cleveland Museum of Art’s holdings through acquisition (specific acquisition details are not recorded in the source). Its inclusion in the museum’s collection underscores the institution’s interest in early American printmaking and the work of lesser‑known artists like Barker.