Artwork

Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page, unspecified, 1560
Page from Tales of a Parrot (Tuti-nama): text page, unspecified, 1560

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This illuminated page originates from the Persian manuscript known as the Tales of a Parrot (Tuti‑nama).

About this work

History & Provenance

While the source confirms its location and inventory status, no specific exhibition history or past display records are provided in the available documentation.

The text page from the Tales of a Parrot (Tuti-nama) dates to 1560 and was produced in the Mughal Empire by an unknown artist. It is now part of the Cleveland Museum of Art’s holdings, identified by accession number 1962.279.230.b. No further details about its commission, earlier ownership, or provenance are provided in the sources.

This text page from the Tuti-nama, created around 1560 within the Mughal Empire, is currently held by the Cleveland Museum of Art. The work is cataloged under the accession number 1962.279.230.b within the museum's collection. While the source confirms its location and inventory status, no specific exhibition history or past display records are provided in the available documentation.

Overview

This illuminated page originates from the Persian manuscript known as the Tales of a Parrot (Tuti‑nama). Executed on paper, the sheet is dominated by flowing black and gold ink that records a narrative composed for a princely patron, Salīṭ. The composition balances dense calligraphic text with a faint decorative border, and the surface bears the patina of age, including specks of dirt and slight discoloration.

Subject & Meaning

The written passage conveys a story intended for Prince Salīṭ, reflecting the courtly tradition of gifting literary works to royalty. While the precise tale is not detailed here, the Tuti‑nama typically gathers moral anecdotes and fables, using the parrot as a symbolic storyteller to impart ethical lessons.

Technique & Style

Calligraphers employed both sable black ink and gold pigment, varying line thickness to create visual rhythm and emphasis within the Persian script. The gold, applied with a fine brush, highlights key passages and adds a luminous contrast to the dark text. A subtle, faded border frames the page, suggesting an earlier decorative program now softened by wear.

Context

Produced during a period when Persian miniaturists and calligraphers collaborated on lavishly illustrated books, this page exemplifies the integration of literary culture and visual refinement. The use of gold ink reflects the patron’s status and the manuscript’s function as a prestigious object of both education and display.

Legacy

Pages such as this continue to inform scholars about Safavid book production, calligraphic conventions, and the role of narrative manuscripts in courtly life. Their preservation in museum collections allows ongoing comparative study with related Persian texts and contributes to a broader understanding of Islamic manuscript art.

Page from Tales of a Parrot (Tuti-nama): text page
Page from Tales of a Parrot (Tuti-nama): text page

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Where can I see Page from Tales of a Parrot (Tuti-nama): text page?

Page from Tales of a Parrot (Tuti-nama): text page is held by Cleveland Museum of Art.

What movement is Page from Tales of a Parrot (Tuti-nama): text page?

Page from Tales of a Parrot (Tuti-nama): text page is associated with Mughal Painting.