Artwork

Portrait of Miss Mary Tadman

Portrait of Miss Mary Tadman, unspecified, 1809
Portrait of Miss Mary Tadman, unspecified, 1809

Portrait of Miss Mary Tadman is an unspecified painting. It dates from 1809 and is held in the collection of the Cleveland Museum of Art. The work is a portrait of a young woman identified as Miss Mary Tadman.

About this work

Subject & Meaning

One source identifies it as a painting, while another describes it as a portrait miniature, noting its small scale and intimate format.

The work depicts Miss Mary Tadman, named in the title as the sitter. One source identifies it as a painting, while another describes it as a portrait miniature, noting its small scale and intimate format. Dated to 1809, the portrait is attributed either to an unknown artist or to the British miniaturist John I Smart (1741‑1811).

It is held in the collection of the Cleveland Museum of Art, where it is catalogued as a miniature from that year.

History & Provenance

The Portrait of Miss Mary Tadman is attributed to the British miniaturist John I Smart and dated to 1809. Executed as a portrait miniature, the work is recorded in the Cleveland Museum of Art’s holdings under accession number 1997.78, indicating its acquisition by the museum in that year. Prior ownership and any possible commission are not documented in the available sources. The piece’s creation history places its production in 1809, consistent with the date assigned to the miniature.

Overview

The work is a portrait of a young woman identified as Miss Mary Tadman. She is shown wearing a light‑toned dress complemented by a pearl necklace, her dark hair arranged in an up‑do with loose curls framing her face. The background consists of a muted, light‑brown field that recedes gently behind her.

Technique & Style

The portrait employs a smooth, refined brushwork that renders the fabric and jewelry with subtle luminosity. The soft modeling of the face and the delicate handling of light on the hair create a three‑dimensional presence, while the restrained background avoids distraction, focusing attention on the sitter’s features.

Context

Portraits of this type were common in the late nineteenth and early twentieth centuries, serving both as personal mementos and as markers of social status. The inclusion of a pearl necklace and the careful rendering of attire align with contemporary conventions for depicting genteel women.

Portrait of Miss Mary Tadman
Portrait of Miss Mary Tadman, John I Smart

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.