Artwork
Shiva Seated on a Throne in a Landscape
Shiva Seated on a Throne in a Landscape is an unspecified painting. It dates from 1760 and is held in the collection of the Cleveland Museum of Art. The work depicts a four‑armed figure seated upon a throne formed by a coiled serpent.
About this work
History & Provenance
The piece is attributed to an unknown artist and is classified as a painting depicting a landscape with a divine figure seated on a throne.
The work titled Shiva Seated on a Throne in a Landscape was painted in 1760, according to its recorded creation date. It was produced in Chamba State and is part of the collection of the Cleveland Museum of Art. The piece is attributed to an unknown artist and is classified as a painting depicting a landscape with a divine figure seated on a throne.
Shiva Seated on a Throne in a Landscape is held in the collection of the Cleveland Museum of Art. According to the Wikidata record, the work's accession number is 2018.113, indicating it entered the museum's holdings in 2018. The painting, dated 1760, was made in Chamba State.
No exhibition history is documented in the available sources.
Overview
The work depicts a four‑armed figure seated upon a throne formed by a coiled serpent. The deity’s expression is serene, and one hand holds a small drum. Behind the figure, a landscape of tall trees and gently rolling hills extends into the distance, rendered in vivid hues of yellow, red and green.
Subject & Meaning
The central figure is Shiva, a principal god in Hindu tradition, identified by his multiple arms and the damaru drum he carries. The serpentine throne alludes to the naga, a symbol of both protective power and cosmic energy within the same religious framework.
Technique & Style
Executed in a bright palette, the painting employs flat areas of color to delineate the throne, border and foliage, emphasizing decorative pattern over realistic modeling. The composition balances the static, frontal pose of the deity with a stylized natural backdrop, characteristic of devotional panel paintings.
Context
Works of this type were created for worship or ritual settings, often displayed in temples or private shrines. The inclusion of a detailed landscape suggests an interest in situating divine presence within an idealized natural world, a common motif in South Asian religious art.
Artist & collection
