Who painted Landscape with Alpheus and Arethusa?

Landscape with Alpheus and Arethusa was painted by Anthonie Waterloo in 1650.

Where can I see Landscape with Alpheus and Arethusa?

Landscape with Alpheus and Arethusa is held by National Gallery of Art.

What movement is Landscape with Alpheus and Arethusa?

Landscape with Alpheus and Arethusa is associated with Baroque.

Can I buy a print of Landscape with Alpheus and Arethusa?

Museum-quality prints of Landscape with Alpheus and Arethusa are available made-to-order from Artifact World Gallery.

Artwork

Landscape with Alpheus and Arethusa

Anthonie Waterloo , 1650

Landscape with Alpheus and Arethusa is an ink print by the Baroque artist Anthonie Waterloo. It dates from 1650 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created in 1650, this print by Dutch artist Anthonie Waterloo presents a cultivated landscape rendered through the medium of etching. The composition centers on a water‑filled setting framed by trees and shrubbery, where two figures engage in a moment of pursuit. The work exemplifies the Baroque interest in narrative drama, employing light and shadow to guide the viewer’s eye across the scene.

Subject & Meaning

The foreground figures represent the mythological chase of Alpheus and Arethusa, a tale in which the river god pursues the nymph who transforms into a spring.

The foreground figures represent the mythological chase of Alpheus and Arethusa, a tale in which the river god pursues the nymph who transforms into a spring. The male figure is captured mid‑stride, while the female reaches outward, suggesting both the urgency of the pursuit and the nymph’s desperate attempt to escape. The surrounding nature underscores the tension between human (or divine) desire and the refuge offered by the natural world.

Technique & Style

Waterloo’s use of etching allows for fine lines that convey the texture of foliage and the rippling water, creating a convincing sense of depth. The print’s chiaroscuro, contrasting illuminated areas with darker recesses, heightens the sense of movement and emotional intensity, hallmarks of the Baroque aesthetic. Variations in line weight give the figures a dynamic presence within the otherwise tranquil landscape.

History & Provenance

The work originates from Waterloo’s mid‑seventeenth‑century output, a period when Dutch printmakers frequently explored classical themes through landscape settings. While specific ownership records are scarce, the print has appeared in several catalogues of Baroque prints and is held in public collections that focus on Dutch graphic art, reflecting its continued relevance to scholars of the era.