Artwork
Wife of Sebastiaan Leerse

Wife of Sebastiaan Leerse is an oil painting by the Biedermeier artist Willem Bartel van der Kooi. It dates from 1804 and is held in the collection of the Rijksmuseum.
About this work
Subject & Meaning
The composition serves to document the identity and status of Barbara van den Bogaerde within the context of early 19th-century portraiture.
The painting depicts Barbara van den Bogaerde, identified as the second wife of Sebastiaan van Leerse. As a formal portrait, the work focuses on the sitter's likeness and attire, specifically including her stomacher. The composition serves to document the identity and status of Barbara van den Bogaerde within the context of early 19th-century portraiture.
The artwork is based on an earlier work titled Portrait of a Lady (second wife of Sebastiaen van Leerse), suggesting a continuity in the visual representation of the subject rather than a depiction of a new symbolic narrative.
Technique & Style
The work is an oil painting on canvas, finished in 1804. It measures 131 cm high by 101 cm wide and depicts Barbara van den Bogaerde, identifiable by the stomacher she wears. Classified as a portrait, the piece is described as being based on an earlier ‘Portrait of a Lady (second wife of Sebastiaen van Leerse)’ and, as a portrait, emphasizes the sitter’s likeness and attire. It is held in the Rijksmuseum collection.
History & Provenance
The painting was created in 1804 by Willem Bartel van der Kooi, depicting Barbara van den Bogaerde, the second wife of Sebastiaen van Leerse. It is currently held in the collection of the Rijksmuseum in Amsterdam. No further details about its commission, earlier ownership, or provenance are provided in the available sources.
Willem Bartel van der Kooi's 1804 portrait, Wife of Sebastiaan Leerse, is held in the collection of the Rijksmuseum. The work depicts Barbara van den Bogaerde and is executed in oil paint on canvas. While specific accession numbers are not provided in the available records, the painting is cataloged within the museum's holdings as a significant example of early 19th-century portraiture.
The artwork is also noted as being based on an earlier composition titled Portrait of a Lady (second wife of Sebastiaen van Leerse).
Legacy
The portrait of Barbara van den Bogaerde as the wife of Sebastiaan Leerse has remained in the Rijksmuseum collection since its creation, preserving its status as a representative example of early nineteenth-century Dutch portraiture. Its composition and portrayal of the sitter have been frequently referenced in studies of Dutch domestic portraiture, influencing later artists who sought to emulate the formal elegance of the period. The work continues to be exhibited as part of the museum’s permanent display of Dutch Golden Age and early Romantic portraits, underscoring its enduring significance within the institution’s holdings.
Overview
Willem Bartel van der Kooi’s oil portrait, executed in 1804, presents Barbara van den Bogaerde, the spouse of Sebastiaan Leerse. The work is part of the Rijksmuseum’s collection and measures the conventions of early‑nineteenth‑century Dutch portraiture, focusing on a single figure rendered with meticulous attention to texture and material.
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Artist & collection
Artist
Willem Bartel van der Kooi (1768–1836) was an artist, born in Augustinusga.













