Artwork
Portrait of a Lady (second wife of Sebastiaen van Leerse)

Portrait of a Lady (second wife of Sebastiaen van Leerse) is an oil painting by the Flemish Baroque painting artist Anthony van Dyck. It dates from 1630 and is held in the collection of the Bavarian State Painting Collections.
About this work
Subject & Meaning
No specific iconographic symbols or additional allegorical meanings are detailed in the available records beyond the identification of the individual portrayed.
The painting depicts Barbara van den Bogaerde, identified as the second wife of Sebastiaen van Leerse. Created by Anthony van Dyck in 1630, the work functions as a formal portrait within the Alte Pinakothek collection. The composition centers on the sitter as the main subject, presenting her in a manner consistent with the artist's portraiture of the era.
No specific iconographic symbols or additional allegorical meanings are detailed in the available records beyond the identification of the individual portrayed.
Technique & Style
Executed in 1630, this portrait is an oil painting on canvas. The work measures 204.7 cm in height and 121.3 cm in width, presenting a full-length depiction of the sitter. As a formal portrait, the composition focuses entirely on the figure of Barbara van den Bogaerde. The piece is currently held within the Bavarian State Painting Collections at the Alte Pinakothek.
History & Provenance
The Portrait of a Lady (second wife of Sebastiaen van Leerse) was painted by Anthony van Dyck in 1630, as established by both internal and Wikidata records. The work was created as an oil on canvas, depicting Barbara van den Bogaerde, who is identified as the subject in sourced documentation.
The painting entered the collection of Johann Wilhelm von der Pfalz, forming part of the Electoral Gallery in Düsseldorf. It later became part of the holdings of the Bavarian State Painting Collections and is now housed in the Alte Pinakothek in Munich, where it remains in their permanent collection.
The painting is held in the Alte Pinakothek, Munich, as part of the Bavarian State Painting Collections. It entered the collection through the Johann Wilhelm von der Pfalz collection and the Electoral Gallery Düsseldorf.
Its inventory number is 1067. The work was included in the Munich museum’s holdings by the time it was inventoried there, and it has remained in that institution since.
Overview
Anthony van Dyck painted this portrait in 1630, employing oil on canvas to render a seated woman in a dark, elaborately detailed gown. The sitter, identified as Barbara van den Bogaerde, is shown against a muted wall with a modest plant motif, her right hand placed over her chest, conveying a composed presence.
Context
Created during van Dyck’s early period in Antwerp, the portrait predates his appointment as court painter in England. It exemplifies the Flemish Baroque emphasis on dignified portraiture, balancing realistic detail with a sense of aristocratic poise that would later characterize his English court commissions.
Artist & collection
Artist
Sir Anthony van Dyck (; Dutch: Antoon van Dijck; 22 March 1599 – 9 December 1641) was a Flemish Baroque artist, who became the leading court painter in England after success in the Spanish Netherlands and Italy.


















