The Assassination and Funeral of Julius Caesar
Workshop of Apollonio di Giovanni
1458
tempera
canvas
From the collection of Art Institute of Chicago
Workshop of Apollonio di Giovanni
1458
tempera
canvas
From the collection of Art Institute of Chicago
The Assassination and Funeral of Julius Caesar is a 1458 tempera by Workshop of Apollonio di Giovanni, a Early Renaissance work, held at Art Institute of Chicago.
This painting shows a scene from ancient Rome. It depicts a crowd of people surrounding Julius Caesar's body. The detail that makes this work interesting is the way the artist used a mix of bright and dark colors to show the emotions of the people in the scene, which adds to the drama of the event. To learn more about this style of art, look up the technique: tempera.
Richard Warren Sears II (d. 1949), Chicago, by 1923 [Sears lent the painting and 1974.394 to the Museum of Fine Arts, Boston in 1923, see correspondence in curatorial file]; at Sears’s death to his widow, C. Ruby Sears (d. 1974); bequeathed to the Art Institute, 1974.
Raimond van Marle, The Development of the Italian Schools of Painting, vol.10 (The Hague, 1928), pp. 554-56, ill. Ellen Callmann, Apollonio di Giovanni (Oxford, 1974), pp. 47, 75, no. 57, fig. 214. Ellen Callmann, “Roman Virtue and Renaissance Marriage,” The Register of the Spencer Museum of Art, The University of Kansas 6, 8/9 (1991/1992), pp. 30–32, 35–36, fig. 14. Christopher Lloyd, Italian Painting before 1600 in the Art Institute of Chicago. A Catalogue of the Collection (Chicago, 1993), pp. 13-15, ill. Graham Hughes, Renaissance Cassoni. Masterpieces of Early Italian Art: Painted…
Read the full account in the museum source.
This was the 15th-century Florence studio where a team of painters cranked out story-rich panels night and day.
See the richer artist page