Renaissance period — works
17,101–17,136 of 20,442 works · most celebrated first
Pieter Brueghel de Oude. De Kreupelen
Meester van de Legende van Sint Lucia. Taferelen uit het leven van de Heilige Lucia
Bernard van Orley. Portrait of doctor Joris Van Zelle
Pieter Aertsen. Crucifixion
Pieter Brueghel the Elder. The fall of the rebellious angels
madonna col bambino
Pieter Brueghel de Oude. Nederlandse spreekwoorden Detail: Twee honden aan een been, komen zelden overeen
Pieter Brueghel the Elder. The Harvest
Keinu
Pieter Brueghel the Elder. Peasant Wedding
Portrait of a man in a turban (self-portrait?)
Portrait of Martin Luther
Pieter Brueghel the Elder. The Parable of the Blind
Portrait of a Gentleman aged 27
Pieter Brueghel de Oude. Nederlandse spreekwoorden Detail: Vijf spreekwoorden
Frans Pourbus the Elder. Portrait of a Man Pendant
Die Kreuzabnahme
Hugo van der Goes. Death of Mary
Anoniem. Gezicht op Antwerpen
Pieter Brueghel the Elder. Conversion of Paul
Portret de bărbat cu barbă
The merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
Sunset Glow over a Fishing Village, from Eight Views of Xiao-Xiang
Virgin and Child with Angels
The Parrot Addresses Khujasta at the Beginning of the Thirteenth Night, from a Tuti-nama (Tales of a Parrot)
Saint Catherine of Alexandria
Text, Folio 13 (recto), from a Kalpa-sutra
Coronation of the Virgin
The bag of gold which he received for the slave girl being stolen in a mosque, the young man of Baghdad tears his cloths and is about to fling himself into the Tigris, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
The bird of seven colors brings a sable to the pious man, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)
Text, Folio 44 (recto), from a Kalpa-sutra
The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Night
The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Night
Page from Tales of a Parrot (Tuti-nama): text page
Flowers and Rocks