The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Night
1560
unspecified
From the collection of Cleveland Museum of Art
1560
unspecified
From the collection of Cleveland Museum of Art
The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Night is a 1560 unspecified by Unknown, a Mughal Painting work, held at Cleveland Museum of Art.
You see a man in a white robe walking toward a lion lounging by a river. The lion has two animals—deer and gazelle—standing like advisors beside him. The scene looks like a quiet meeting, not a hunt. This painting comes from a book of parrot tales made for Emperor Akbar’s court. The story says the lion gives the man treasure, turning bad luck into good. The tiny details—flowers, ripples in the water—show how much care went into every inch. To see more paintings like this, look up Mughal India, court of Akbar (reigned 1556–1605).
On the left, the wary Brahman approaches the great lion, who rests on the banks of a river. Before the lion can attack, the deer and the gazelle step in and council him to receive the Brahman kindly. The Brahman has wandered into the wilderness after losing all of his wealth, but the lion gifts him an immense treasure.
The Brahman has a mark on his forehead identifying him as a worshipper of the Hindu god Vishnu.
Read the full account in the museum source.
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