Paintings at Cleveland Museum of Art

Squirrels on the Chestnut Tree

The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Portrait of King Charles II of England

The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

The heroine who waits anxiously for her absent lover (Utka Nayika)

Dragon

A Musical Company

High Tide on the Marshes

The young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night

The Lovers

Landscape with a Church by a Torrent

Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi

Still Life with Herring, Bread, and Cheese

Arkville Landscape

Landscape with Gentle Peaks

Zhong Kui Supported by Ghosts

Courtesan

A Palace

The Crossing of the Yangzi River

Jeanne Balzac

The merchant’s daughter encounters a wolf and bandits on her way to meet the gardener in order to keep her promise, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Banana Plant and Chrysanthemum

Text, Folio 15 (recto), from a Kalpa-sutra

Landscape with Hunters

Panoramic View of the Alps, Les Dents du Midi

Aurora and Cephalus

Absorb the Past; Abandon the Present

Elizabeth Beltzhoover Mason

The Brierwood Pipe

Bhairava Raga

Trees and a Stream on a Hillside

Mahavira Rides in His Initiation Palanquin, Folio 36 (recto), from a Kalpa-sutra

Rama’s brothers Bharata and Shatrughna set out from Ayodhya to find Rama and Lakshmana in the forest to inform them of the death of their father Dasharatha, from Chapter 77 of the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama’s Journey)

The merchant’s daughter gives birth to a son as a result of eating out of the box. The clever child recognizes the false gems from true, from a Tuti-nama (Tales of a Parrot): Twenty-third Night

Text, folio 182 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Still Life with Herrings