Artwork

Le Paysage au Bâteau

Le Paysage au Bâteau, by Alphonse Legros, 1884
Le Paysage au Bâteau, by Alphonse Legros, 1884

Le Paysage au Bâteau is a print by the Impressionist artist Alphonse Legros. It dates from 1884 and is held in the collection of the Cleveland Museum of Art.

Accession no.
1998.367

About this work

Overview

Le Paysage au Bâteau, a black-and-white print by Alphonse Legros (1884), depicts a serene riverside scene. The composition features a small boat near the shore, with one figure wading in the water, securing the boat, and another reclining inside. The backdrop includes treelined banks and hills under a somber sky.

Subject & Meaning

The subject of Le Paysage au Bâteau is a tranquil, everyday riverside moment, emphasizing quiet human interaction with nature. The scene conveys a sense of calm and possibly the mundane aspects of rural life.

Technique & Style

Legros employed deep shadows and intricate line work to achieve depth and stillness in the print. This approach aligns with tendencies in 19th-century French Realist art, which often emphasized detailed, observant depictions of common life and landscapes.

History & Provenance

Created in 1884, Le Paysage au Bâteau is part of The Cleveland Museum of Art's collection.

Landscape with Boat, 2nd plate (Paysage au bateau)
Landscape with Boat, 2nd plate (Paysage au bateau), Alphonse Legros

Artist & collection

Portrait of Alphonse Legros

Artist

Alphonse Legros

Alphonse Legros (French pronunciation:; 8 May 1837 – 8 December 1911) was a French, later British, painter, etcher, sculptor, and medallist.

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Who painted Le Paysage au Bâteau?

Le Paysage au Bâteau was painted by Alphonse Legros in 1884.

Where can I see Le Paysage au Bâteau?

Le Paysage au Bâteau is held by Cleveland Museum of Art.

What movement is Le Paysage au Bâteau?

Le Paysage au Bâteau is associated with Impressionism.