Crusifixion with the Virgin Mary and Sts Dominic, Jerome and Francis

The painting was created in 1529 by Antonio del Ceraiolo, an Italian artist, and is executed in tempera on a poplar panel. Its inception is dated to 1529, with the broader working period of the artist given as 1520–1538. The work was produced in Italy and entered the collection of the Hermitage Museum, where it is currently held.

The painting is housed in the Hermitage Museum in Saint Petersburg, with accession number 1288. It has been part of the museum's collection since its acquisition, reflecting its established presence in a major European institution. The work was exhibited in the Hermitage's Italian Renaissance gallery, contributing to scholarly and public engagement with the period's religious art.

Antonio del Ceraiolo painted this religious work in 1529, depicting the Crucifixion alongside the Virgin Mary, Saint Dominic, and Saint Jerome. Executed in tempera on poplar panel, the piece measures 36.5 cm by 22.5 cm and resides in the Hermitage Museum collection in St. Petersburg.

Scholarship situates the work within the broader trajectory of early 16th-century Italian religious painting, noting its stylistic affinities with contemporary devotional imagery in central Italy. The inclusion of Saints Dominic and Jerome reflects the growing prominence of mendicant orders in Counter-Reformation iconography, a context emphasized in recent studies of devotional practices in Italian art circa 1500-1550.

Created in 1529, this tempera panel presents the crucifixion of Christ surrounded by the Virgin Mary and three saints, Dominic, Jerome, and Francis. The central figure of Christ is affixed to a cross bearing the customary inscription, while a small skull rests at the foot, a traditional reminder of mortality. The composition is set against a distant landscape featuring a town, hills, and isolated figures.