Who painted Reclining Female Nude?

Reclining Female Nude was painted by Gioacchino Banfi in 1878.

Where can I see Reclining Female Nude?

Reclining Female Nude is held by National Gallery of Art.

What movement is Reclining Female Nude?

Reclining Female Nude is associated with Impressionism.

Can I buy a print of Reclining Female Nude?

Museum-quality prints of Reclining Female Nude are available made-to-order from Artifact World Gallery.

Artwork

Reclining Female Nude

Gioacchino Banfi , 1878

Reclining Female Nude is an ink print by the Impressionist artist Gioacchino Banfi. It dates from 1878 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:recto: in image, at lower center, in graphite: G. Banfi

About this work

Overview

Gioacchino Banfi’s etching titled Reclining Female Nude, executed around 1878, is a proof print on laid paper. The work is part of the collection of the National Gallery of Art in Washington, D.C. It presents a single figure in a relaxed pose, rendered in a sketch‑like manner that emphasizes line over surface.

Subject & Meaning

The composition depicts a woman lying on a coarse ground, her torso turned slightly toward the viewer. Her hair is rendered in loose, tangled strokes, while her arms are positioned above her head. Sparse vegetation, scraggly branches and thin grass, surrounds the figure, suggesting an informal, perhaps outdoor setting that foregrounds the naturalism of the human form.

Technique & Style

Banfi employed a traditional etching process in which ink rests on the plate’s surface, producing a grainy, uneven texture. The marks are intentionally rough and scratchy, giving the image a spontaneous, sketch‑like quality. This approach highlights the artist’s focus on line work and the immediacy of drawing rather than polished tonal modeling.

History & Provenance

Created in the late nineteenth century, the print has remained in the National Gallery of Art’s holdings since its acquisition, where it is catalogued as a proof. Its dating to circa 1878 places it within Banfi’s mature period, reflecting his engagement with academic nude studies common to the era.