Portrait of Elisabeth Bellinghausen

The portrait was painted in 1530 by Bartholomaeus Bruyn the Elder. By the late 19th century it belonged to Cornelis Hoogendijk, a Dutch collector whose holdings later passed to the Rijksmuseum. The painting entered the collection of the Mauritshuis in The Hague, where it remains in Room 7. The work depicts Elisabeth Bellinghausen and is dated to 1530 by the artist.

The Portrait of Elisabeth Bellinghausen is held by the Mauritshuis in The Hague, specifically located in Room 7. While the work is currently part of the Mauritshuis collection, historical records indicate it was previously owned by Cornelis Hoogendijk and associated with the Rijksmuseum. The painting was created in 1530 by Bartholomaeus Bruyn the Elder and executed in oil on panel.

No specific inventory or accession numbers are provided in the available sources, nor is there any record of its exhibition history.

The portrait of Elisabeth Bellinghausen, painted by Bartholomaeus Bruyn the Elder in 1530, exemplifies Northern Renaissance portraiture through its meticulous rendering and symbolic inclusion of Solanum dulcamara, reflecting contemporary botanical interests and social status markers. Its display at the Mauritshuis in Room 7 underscores its significance within Dutch Golden Age collections, situating it among other works by Bruyn that explore civic identity and domestic virtue. Scholarship emphasizes the painting's role in illustrating the intersection of portraiture and moral allegory during the 16th century, highlighting its contribution to understanding artistic exchanges between the Netherlands and broader European contexts.

The portrait contributed to the development of early Netherlandish portraiture through its naturalistic rendering and psychological depth. Its inclusion in major collections such as the Mauritshuis and Rijksmuseum reinforced its status as a benchmark for 16th-century portraiture, influencing later artists' approaches to representation and status depiction. The work's continued scholarly attention underscores its significance within Dutch Renaissance art.

Bartholomaeus Bruyn the Elder, a prominent Cologne portraitist of the early sixteenth century, painted this oil portrait in 1530. The work belongs to the Northern Renaissance tradition and is currently part of the Rijksmuseum’s collection. It presents a seated woman rendered with careful detail, set against a dark, oval background that isolates the figure.