Artwork
La Flore de le Gros
La Flore de le Gros is an ink print by the Impressionist artist Albert Besnard. It dates from 1899 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:"ABesnard" lower right margin, graphite, artist's hand. Not dated. "Tirage d'Artiste" lower center margin, graphite, unknown hand. "terminé" lower right margin, graphite, unknown hand. "[illeg.]" lower left margin, graphite, unknown hand. "166" lower left margin, graphite, unknown hand. "K99" lower left margin, graphite, unknown hand. Verso: none.
- Markings
- Marked:"LRJ" verso, black stamped ink, stamped twice, (Lugt 1760b). "National Gallery of Art" verso, black stamped ink, (Lugt 1932d).
About this work
Overview
La Flore de le Gros, created in 1899 by Albert Besnard, is a print combining etching, drypoint, and printed tone on laid paper. The work depicts a serene female figure in a natural setting.
Subject & Meaning
The print shows a woman standing in a forest, holding a freshly gathered branch of flowers and leaves. Her simple, open-necked dress and pulled-back hair convey a sense of understated elegance amidst the natural surroundings.
Technique & Style
Besnard employed a contrast of thin lines and deep shading to achieve textured, near-three-dimensional effects, particularly in the rendering of leaves and tree bark. The interplay of etching and drypoint techniques adds to the work's visual depth.
History & Provenance
Created in 1899, specific details regarding the print's provenance and exhibition history are not provided in the available information.
Context
La Flore de le Gros reflects late 19th-century printmaking innovations, where artists like Besnard experimented with mixed techniques (etching, drypoint) to capture nuanced natural and figural elements.
Legacy
The legacy of La Flore de le Gros lies in its demonstration of Besnard's skill in blending traditional printmaking methods with expressive, modern rendering of natural themes, influencing subsequent generations of print artists.
Own this work as a print
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