What movement is The Doge Attends the Giovedi Grasso Festival in the Piazzetta?

The Doge Attends the Giovedi Grasso Festival in the Piazzetta is associated with Romanticism.

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Museum-quality prints of The Doge Attends the Giovedi Grasso Festival in the Piazzetta are available made-to-order from Artifact World Gallery.

Artwork

The Doge Attends the Giovedi Grasso Festival in the Piazzetta

Giovanni Battista Brustolon , 1764

The Doge Attends the Giovedi Grasso Festival in the Piazzetta is an ink print by the Romanticist artist Giovanni Battista Brustolon. It dates from 1764 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:recto: in plate, below image, at left: Antonius Canal pinxit.; in plate, below image, at right: Jo. Bap. Brustolon inc.; in plate, below image, across bottom: Die jovis postrema Bacchanaliorum Serenissimus Princeps e ducali Palatio conspicit populares ludos, perantiquae victoriae monumenta / Apud Theodorum Viero in via Mercatoria vulgo dicta dell'Orologlio Cum Privilegio Excellentissini Senatus.; in plate, at bottom right: No. 7.; verso: at right center, in graphite in later hand: ST 17283L177; at bottom center, in graphite in later hand: 887
Markings: Marked:none

About this work

Overview

Giovanni Battista Brustolon’s print, dated 1764, depicts a bustling public gathering in Venice’s Piazzetta during the Giovedì Grasso celebration. The composition centers on a monumental façade with elaborate towers and arches, beneath which a dense crowd in period dress mingles on the ground and on raised platforms. A storm‑laden sky looms overhead, heightening the scene’s dramatic atmosphere.

Subject & Meaning

The work records a specific civic festivity, the Thursday before Carnival, when the Doge traditionally presided over the revelry. By placing the Doge among the throng, Brustolon emphasizes the ruler’s participation in popular customs, reflecting the intertwining of political authority and communal celebration in 18th‑century Venice.

Technique & Style

Executed as an etching and engraving on laid paper, the image relies on fine, intersecting lines to render intricate details of clothing, facial expressions, and architectural ornamentation. The precision of the line work, characteristic of mid‑century Venetian printmaking, conveys texture and depth without resorting to tonal washes, allowing the viewer to discern individual figures within the crowded space.

History & Provenance

Created in 1764, the print belongs to a period when Venice’s print workshops produced documentary images of civic events. While specific ownership records are scarce, the work has circulated among collections of Venetian prints, serving both as a visual record of the Giovedì Grasso festival and as an example of Brustolon’s engagement with contemporary public life.