Bridal Veil, Yosemite
1866
From the collection of Cleveland Museum of Art
1866
From the collection of Cleveland Museum of Art
Bridal Veil, Yosemite is a 1866 by Carleton E. Watkins, a Impressionism work, held at Cleveland Museum of Art.
You see a towering waterfall framed by jagged cliffs and dark trees. The mist looks almost touchable, hanging in the air like wet breath. Watkins made this photo huge—almost five feet wide—so you feel small standing in front of it. Early cameras couldn’t hold scenes this big, so he built a special one just for views like this. The size pulls you in, like stepping into the valley yourself. Look up more work by Carleton E. Watkins (American, 1829–1916) to see how he shaped how we picture the American West.
The grand scale of the American West was difficult to convey in early photographs, which were intimately scaled objects meant for the hand and the album. Starting in the late 1850s, a handful of photographers shooting landscapes and historical settings began producing “mammoth” prints, including the San Francisco-based Carleton E. Watkins. The seemingly gargantuan scale of these prints allowed a new, immersive relationship between the viewer and the image, enhancing that “you are there” feeling.
In the spring, Bridal Veil Falls drops a torrent of rushing water 620 feet down into the Yosemite Valley.
Read the full account in the museum source.
Carleton E. Watkins (1829–1916) was an American artist.
See the richer artist page