Three Studies of Angels for a Pendentive (recto); Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso)
1602
From the collection of Cleveland Museum of Art
1602
From the collection of Cleveland Museum of Art
Three Studies of Angels for a Pendentive (recto); Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso) is a 1602 by Cristoforo Roncalli, a Renaissance work, held at Cleveland Museum of Art.
This painting shows several studies of angels and a scene of Christ meeting his mother. The artist was preparing for a big project, decorating the dome of Saint Peter's Basilica in Rome. He made this drawing to figure out how the angels would look. To learn more about the artistic style used in this drawing, look into the technique of sfumato.
In 1590, a generation after Michelangelo’s death, the dome he designed for Saint Peter’s Basilica in Rome was finally completed. In 1597 Pope Clement VIII commissioned the mosaic decoration of the interior of the dome, choosing Cristoforo Roncalli in part because of his training in Florence, an origin he shared with Michelangelo. Roncalli made this preparatory drawing for the angels that would appear at each side of the four Evangelists in the trapezoidal spaces where the dome meets the supporting arches, called pendentives. Roncalli practiced rendering the foreshortened human form in three…
Read the full account in the museum source.
Cristoforo Roncalli was an Italian mannerist painter. He was one of the three painters known as Pomarancio or Il Pomarancio.
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