Who painted Evidence of a Storm?

Evidence of a Storm was painted by Joseph Davie in 1992.

Where can I see Evidence of a Storm?

Evidence of a Storm is held by Victoria and Albert Museum.

Artwork

Evidence of a Storm

Joseph Davie , 1992

Evidence of a Storm is a print by Joseph Davie. It dates from 1992 and is held in the collection of the Victoria and Albert Museum.

About this work

This print shows a single pilgrim-like figure in a quiet scene. It’s by Joseph Davie, a Glasgow artist known for prints that feel like quiet stories.

His work often mixes personal symbols with everyday moments. This piece was made between 1990 and 1993 and published by the Glasgow Print Studio.

The print sits in the Victoria and Albert Museum’s collection.

Look up the Victoria and Albert Museum.

Overview

‘Evidence of a Storm’ is a print created between 1990 and 1993 by Glasgow‑born artist Joseph Davie (b. 1965). The work depicts a solitary figure reminiscent of a pilgrim, set within a tranquil landscape. It is held in the collection of the Victoria and Albert Museum and was issued through the Glasgow Print Studio, a key publisher of contemporary Scottish prints.

Subject & Meaning

The central character carries a cross and is dressed in attire that references Catholic iconography, suggesting a personal or spiritual journey. The stillness of the scene, coupled with the figure’s forward motion, invites contemplation of pilgrimage, faith, and the quiet moments that accompany larger narratives.

Technique & Style

Davie employs a restrained graphic language typical of his printmaking practice, using line and tone to evoke atmosphere without overt detail. The composition balances minimalistic forms with subtle texture, allowing the symbolic elements, such as the cross, to emerge clearly within the broader, muted environment.

History & Provenance

After its production in the early 1990s, the print was released by the Glasgow Print Studio, an influential collective that supports regional artists. It later entered the Victoria and Albert Museum’s holdings, where it remains accessible to scholars and the public as part of the museum’s print and drawing collection.

Context

Davie’s oeuvre frequently intertwines everyday scenes with personal symbols, positioning ordinary moments within larger, often ambiguous narratives. This work aligns with that approach, reflecting a broader trend in late‑20th‑century Scottish printmaking that blends narrative suggestion with formal restraint.