Who painted Fedoa Americana pectore ruso?

Fedoa Americana pectore ruso was painted by George Edwards in 1740.

Where can I see Fedoa Americana pectore ruso?

Fedoa Americana pectore ruso is held by National Gallery of Art.

What movement is Fedoa Americana pectore ruso?

Fedoa Americana pectore ruso is associated with Baroque.

Can I buy a print of Fedoa Americana pectore ruso?

Museum-quality prints of Fedoa Americana pectore ruso are available made-to-order from Artifact World Gallery.

Artwork

Fedoa Americana pectore ruso

George Edwards , 1740

Fedoa Americana pectore ruso is an ink print by the Baroque artist George Edwards. It dates from 1740 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower left in plate in reverse: Feb 19 - 1740; lower center in plate: G.Edwards /15

About this work

Overview

Fedoa Americana pectore ruso is a hand‑coloured etching on laid paper produced by the English engraver George Edwards in 1740. The work depicts a solitary bird perched on a stark branch, its plumage rendered in a blend of brown and pink tones, with a long, fanned tail and a sharply defined beak.

Subject & Meaning

The image portrays a bird, identified by its scientific name Fedoa americana, captured in a moment of stillness. The minimal background of a few green leaves and a tuft of grass suggests a natural setting, emphasizing the creature’s form and coloration rather than narrative content.

Technique & Style

Edwards employed precise line work to delineate the feather texture and the bird’s anatomy, while the hand‑applied colour washes provide a gentle warmth to the figure. The use of laid paper, with its characteristic ribbed texture, enhances the tactile quality of the print.

History & Provenance

Created in the mid‑18th century, the etching reflects the period’s interest in natural history illustration. Although specific ownership records are scarce, works by Edwards were commonly circulated among collectors of scientific and decorative prints during the Enlightenment.

Context

The piece belongs to a broader tradition of ornithological prints that combined scientific observation with artistic rendering. In the 1740s, such images served both educational purposes and aesthetic tastes, bridging the gap between scholarly documentation and decorative art.