Artwork
Untitled

Untitled is an ink painting by the Nihonga artist Eiraku Hozen. It dates from 1848 and is held in the collection of the Metropolitan Museum of Art.
About this work
Subject & Meaning
Created in 1848 by Eiraku Hozen, this hanging scroll executed in ink on paper presents a landscape scene.
Created in 1848 by Eiraku Hozen, this hanging scroll executed in ink on paper presents a landscape scene. The primary subject depicted within the composition is a fox. As a work classified under the landscape genre, the painting utilizes the animal figure as its central iconographic element, though specific symbolic interpretations or narrative meanings regarding the fox are not detailed in the available records.
Technique & Style
Untitled is a hanging scroll painted in ink on paper, produced in 1848 in Japan. The work belongs to the Paintings classification and is categorized as a landscape, featuring a fox as its primary motif. Executed in monochrome ink, the composition employs delicate brushstrokes and atmospheric spacing typical of Japanese landscape painting of the period. The scroll was created by Eiraku Hozen and is presently held by the Metropolitan Museum of Art.
History & Provenance
Created in 1848 by the Japanese artist Eiraku Hozen, this ink-on-paper hanging scroll depicts a fox within a landscape setting and was produced in Japan in the mid-19th century. It currently resides in the collection of the Metropolitan Museum of Art, which serves as its known location and institutional home. No accession number, specific gallery location, exhibition history, or details of prior ownership or commission are documented in the available sources.
Overview
Created in 1848, this hanging scroll by Eiraku Hozen presents a winter landscape rendered in ink on paper. The composition centers on a snowy field occupied by two foxes, one upright, the other curled in sleep, offering a quiet glimpse into an everyday moment rather than a formal allegory.
Context
The scroll was produced shortly after a period of stringent artistic regulations, when painters began to explore more personal and informal subjects. This shift is reflected in the work's intimate atmosphere, marking a move away from overt moralizing toward everyday observation.
Artist & collection









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