Artwork

永樂保全筆 「陶造」|Making Ceramics

永樂保全筆  「陶造」|Making Ceramics, by Eiraku Hozen, ink, 1827
永樂保全筆  「陶造」|Making Ceramics, by Eiraku Hozen, ink, 1827

永樂保全筆 「陶造」|Making Ceramics is an ink painting by the Nihonga artist Eiraku Hozen. It dates from 1827 and is held in the collection of the Metropolitan Museum of Art.

About this work

Subject & Meaning

The painting portrays a lone craftsman bent over a wheel, his hands shaping a clay vessel as he works.

The painting portrays a lone craftsman bent over a wheel, his hands shaping a clay vessel as he works. This image of a solitary figure engaged in manual labor highlights the skill, concentration, and humility associated with ceramic production in early nineteenth-century Japan. The simple attire and focused posture convey respect for the material and the process, while the act of making serves as a metaphor for perseverance and the pursuit of artistic mastery.

By centering on the act of creation, the work treats the craft as both a practical trade and a disciplined endeavor, reflecting cultural values of diligence and reverence for handmade objects.

Technique & Style

The work is a hanging scroll executed in ink and light color on paper, a standard support for Edo-period painting. Dated 1827 and attributed to Eiraku Hozen, it belongs to the Metropolitan Museum of Art's collection. The composition depicts a male figure engaged in ceramic production, rendered with brush outlines and restrained tonal shading.

As a genre scene, the painting emphasizes everyday labor through an economical line and a modest, documentary tone characteristic of late-Edo painting.

History & Provenance

Created in 1827 by the Japanese artist Eiraku Hozen, the hanging scroll titled Making Ceramics was produced in Japan. Executed in ink and color on paper, it depicts a genre scene of a man at work. While specific details of its original commission or early ownership are not provided in the available records, the piece entered the collection of the Metropolitan Museum of Art, where it is catalogued under accession number 18.77.5.

The work remains in the museum's permanent holdings and has not been recorded in any temporary or traveling exhibition in the available documentation.

Overview

Eiraku Hozen's "Making Ceramics," created in 1827, is a hanging scroll rendered with ink and color on paper. This painting offers a direct view into the artisanal process, depicting a solitary figure engaged in the creation of pottery. The artwork is a notable example within the genre of Japanese paintings, capturing a specific moment of labor rather than a finished product or a broader narrative.

Context

This painting contributes to a tradition of Japanese art that portrays scenes of labor and daily life. While depictions of work were common, Hozen's choice to highlight the specific, hands-on process of pottery making offers a particular perspective. This work can be considered alongside other genre scenes that illustrate various occupations, providing insight into the visual representation of human endeavor during the Edo period.

永樂保全筆  「陶造」|Making Ceramics
永樂保全筆 「陶造」|Making Ceramics, Eiraku Hozen

Artist & collection

Frequently asked questions

Who painted 永樂保全筆 「陶造」|Making Ceramics?

永樂保全筆 「陶造」|Making Ceramics was painted by Eiraku Hozen in first half of the19th century.

Where can I see 永樂保全筆 「陶造」|Making Ceramics?

永樂保全筆 「陶造」|Making Ceramics is held by Metropolitan Museum of Art.

What movement is 永樂保全筆 「陶造」|Making Ceramics?

永樂保全筆 「陶造」|Making Ceramics is associated with Nihonga.