Artwork
Asunción Castro Crespo, wife of the painter

Asunción Castro Crespo, wife of the painter is an oil painting by the Spanish Baroque Tenebrist artist Enrique Simonet. It dates from 1914 and is held in the collection of the Museo del Prado.
About this work
Subject & Meaning
Created in 1914, the painting presents her as the sole main subject, adhering to the conventions of the portrait genre.
The work is a portrait depicting Asunción Castro Crespo, identified as the wife of the artist Enrique Simonet. Created in 1914, the painting presents her as the sole main subject, adhering to the conventions of the portrait genre. The composition focuses entirely on the individual, offering a direct visual representation of the sitter without additional symbolic figures or narrative elements described in the available records.
Technique & Style
Enrique Simonet executed this portrait using oil paint on canvas. The artwork measures 102.3 cm in height and 71 cm in width. As a portrait, the composition focuses on the depiction of Asunción Castro Crespo, employing the traditional medium of oil on canvas to render the subject.
History & Provenance
Enrique Simonet executed this oil portrait of Asunción Castro Crespo in 1914. The work, which depicts the artist's wife, was painted on a canvas measuring 102.3 cm in height and 71 cm in width. Following its creation, the painting entered the collection of the Museo del Prado, where it remains housed.
The portrait Asunción Castro Crespo, wife of the painter is held in the Museo del Prado, Madrid. It is part of the museum’s permanent collection, though its specific accession or inventory number is not publicly documented in the available sources.
As of the provided records, there is no verified exhibition history for this work beyond its inclusion in the Museo del Prado.
Overview
Asunción Castro Crespo, wife of the painter is an oil portrait by Enrique Simonet, created in 1914. The work is part of the collection at the Museo del Prado.
Context
The work reflects early 20th-century portraiture traditions, with Simonet's approach blending realism with an emphasis on capturing the sitter's elegance and the symbolic nuances of her attire and surroundings.
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