Artwork
Shadows, Spuyten Duyvil Hill
Shadows, Spuyten Duyvil Hill is an oil painting by the American Impressionist artist Ernest Lawson. It dates from 1910 and is held in the collection of the Metropolitan Museum of Art.
About this work
Subject & Meaning
Ernest Lawson's 1910 oil painting, Shadows, Spuyten Duyvil Hill, is a landscape work depicting a natural scene in the Spuyten Duyvil Hill area of northern New York. The title signals an interest in the interplay of light and shadow across the terrain. Beyond the immediate depiction of the hillside landscape, the available sources do not elaborate on specific symbolic or iconographic meanings.
Technique & Style
Its formal qualities reflect a straightforward handling of light and atmosphere, characteristic of early twentieth-century American landscape painting.
Ernest Lawson's Shadows, Spuyten Duyvil Hill is an oil-on-canvas landscape painted in 1910. The work measures 76.2 cm in height by 101.6 cm in width, a format typical of plein-air compositions of the period. The painting captures a hillside scene with an emphasis on tonal contrast, as suggested by its title.
Its formal qualities reflect a straightforward handling of light and atmosphere, characteristic of early twentieth-century American landscape painting.
History & Provenance
Ernest Lawson created Shadows, Spuyten Duyvil Hill in 1910. The canvas depicts a landscape scene at Spuyten Duyvil Hill, a location in New York City's northern Bronx. The painting entered the collection of the Metropolitan Museum of Art, where it has been held as part of their American art holdings.
It is an oil on canvas measuring 76.2 cm in height and 101.6 cm in width. No specific accession number or detailed exhibition history is documented in the available sources.
Overview
Ernest Lawson's oil painting, Shadows, Spuyten Duyvil Hill, created in 1910, exemplifies the American Impressionist movement. This landscape work captures a tranquil scene, showcasing the artist's characteristic approach to natural environments. It is part of the collection at The Metropolitan Museum of Art, representing a significant piece within Lawson's body of work, which predominantly focused on outdoor vistas.
Context
As a Canadian-American painter, Ernest Lawson was a prominent figure within American Impressionism. He was also a member of "The Eight," a collective of artists formed in response to the conservative exhibition policies of the National Academy of Design. This group advocated for a broader representation of contemporary American life and artistic styles, positioning Lawson's landscapes within a wider challenge to established art institutions of the early 20th century.
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Artist & collection
Artist
Ernest Lawson (March 22, 1873 – December 18, 1939) was a Canadian-American painter and exhibited his work at the Canadian Art Club and as a member of the American group The Eight, artists who formed a loose association…
