Farfurie mare, adâncă, cu buză lată, răsfrântă și muchia ondulată. Piesa este modelată la roata olarului, angobată cu humă albă pe fața interioară a acesteia. Decorul este realizat prin pictare cu pensula, cu linii groase, și constă în motive decorative florale și vegetale stilizate (flori de lalea și frunze), dispuse pe toată suprafața farfuriei. Central, pe fundul farfuriei, sub motivul decorativ floral, se află înscris anul fabricării piesei, 1776. Cromatica decorului: alb, albastru. Farfuria este smălțuită pe interior, cu smalț transparent.

The decoration features stylized floral and vegetal motifs, tulips and leaves, arranged to cover the entire interior surface. These patterns reflect a tradition of naturalistic ornamentation common in 18th-century ceramic production, where botanical forms were abstracted into rhythmic, flowing lines. The inclusion of the production date suggests a deliberate record-keeping practice, possibly tied to workshop identity or regional custom.

Painted with a brush using thick, bold lines in blue and white, the design avoids fine detail in favor of strong, graphic contrasts. The white slip beneath the paint creates a luminous ground, allowing the blue motifs to stand out sharply against the brown clay body. The transparent glaze seals the surface, preserving the pigments and producing a smooth, even finish.

Produced in 1776, the dish belongs to a regional ceramic tradition in Eastern Europe, where slip-decorated wares were common in domestic and ceremonial use. Similar pieces have been found in workshops from the Romanian principalities, indicating a shared aesthetic and technical repertoire among local potters during the late Ottoman period.

This dish reflects the influence of both local folk traditions and broader Eurasian ceramic practices, particularly the use of blue-and-white decoration seen in Chinese porcelain and its European adaptations. Unlike imported wares, however, this piece uses locally sourced materials and hand-painted techniques, distinguishing it from mass-produced or imported alternatives of the era.

The dish exemplifies a modest but enduring craft tradition that persisted despite industrialization. Its combination of functional form and decorative precision offers insight into the daily aesthetics of pre-industrial households. Similar pieces remain in regional collections, studied for their technical consistency and cultural continuity in ceramic art.