Artwork

The Naming of the Virgin Mary

The Naming of the Virgin Mary, by Marcantonio Franceschini, chalk, 1690
The Naming of the Virgin Mary, by Marcantonio Franceschini, chalk, 1690

The Naming of the Virgin Mary is a chalk drawing by the Baroque artist Marcantonio Franceschini. It dates from 1690 and is held in the collection of the National Gallery of Art.

Inscription
Inscribed:By the artist, in the disc held by angels, Maria; by a later hand at lower left in pen and black ink, Marc'Antonio Franceschini. On the mount, in an 18th-century hand, Marc Anthonio Franceschin; and P No. 46; and, He was pupil of a scholar of Carlo Cignani ,/ This drawing much of his manner / a true & compleat Drawing and /..Specimen of the master / a Scholar of Carlo Cignani / a true Drawing of a master / very fine.

About this work

Overview

Created circa 1690, this drawing by Marcantonio Franceschini depicts the ceremonial naming of the Virgin Mary. Executed with pen and brown ink, enhanced by a gray wash over a black chalk foundation, the work captures a bustling religious gathering. It resides in the National Gallery of Art, Washington, and exemplifies the artist’s late‑Baroque sensibility.

Subject & Meaning

The composition centers on a bearded cleric, likely a bishop, cradling an infant while positioned on a stepped platform. Surrounding figures kneel or stand, some bearing candles or additional children, while celestial angels hover above, holding scrolls and musical instruments. The scene conveys the liturgical solemnity of Mary’s naming within a sacred interior.

Technique & Style

Franceschini employs swift, gestural lines that convey motion, particularly in the angels’ flowing garments and the bishop’s dramatic stance. The brown ink outlines the forms, while a subtle gray wash adds depth and atmospheric shading. The underlying black chalk provides structural guidance, allowing the drawing to retain a lively, sketch‑like quality characteristic of Baroque dynamism.

History & Provenance

Marcantonio Franceschini, a prominent Bolognese painter of the Baroque era, produced this work during his mature period. He also instructed his son Giacomo in the same artistic tradition. The drawing entered the National Gallery of Art’s collection in the United States, where it is displayed as part of the museum’s European drawings holdings.

The Madonna of the Rosary
The Madonna of the Rosary, Vicente Salvador Gómez

Artist & collection

Portrait of Marcantonio Franceschini

Artist

Marcantonio Franceschini

Marcantonio Franceschini (Italian pronunciation:; 1648 – 24 December 1729) was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Who painted The Naming of the Virgin Mary?

The Naming of the Virgin Mary was painted by Marcantonio Franceschini in 1690.

Where can I see The Naming of the Virgin Mary?

The Naming of the Virgin Mary is held by National Gallery of Art.

What movement is The Naming of the Virgin Mary?

The Naming of the Virgin Mary is associated with Baroque.