Who painted Maria Guadalupe Lancaster duquesa de Aveiro?

Maria Guadalupe Lancaster duquesa de Aveiro was painted by Francisco Ignacio Ruiz de la Iglesia in 1700.

Where can I see Maria Guadalupe Lancaster duquesa de Aveiro?

Maria Guadalupe Lancaster duquesa de Aveiro is held by Museo del Prado.

What movement is Maria Guadalupe Lancaster duquesa de Aveiro?

Maria Guadalupe Lancaster duquesa de Aveiro is associated with Barbizon school.

Can I buy a print of Maria Guadalupe Lancaster duquesa de Aveiro?

Museum-quality prints of Maria Guadalupe Lancaster duquesa de Aveiro are available made-to-order from Artifact World Gallery.

Artwork

Maria Guadalupe Lancaster duquesa de Aveiro

Francisco Ignacio Ruiz de la Iglesia , 1700

Maria Guadalupe Lancaster duquesa de Aveiro is an oil painting by the Barbizon school artist Francisco Ignacio Ruiz de la Iglesia. It dates from 1700 and is held in the collection of the Museo del Prado.

About this work

The use of chiaroscuro in this painting creates a sense of depth and volume, drawing the viewer's attention to the subject.

This painting is a portrait of a woman, likely from the 18th century. She is depicted wearing a dark dress with a white head covering, and her right hand holds a cross. The background is dark, which helps the subject stand out.

The woman's face is serious, and her eyes seem to be looking directly at the viewer. Her attire and the cross she holds suggest that she may be a member of a religious order. The overall mood of the painting is somber and contemplative.

The use of chiaroscuro in this painting creates a sense of depth and volume, drawing the viewer's attention to the subject. If you're interested in learning more about this technique, look up chiaroscuro.

Subject & Meaning

The painting portrays Maria de Guadalupe of Lencastre, identified as the Duchess of Aveiro. Created in 1700 by Francisco Ignacio Ruiz de la Iglesia, the work functions as a formal portrait of this specific historical figure. The iconography is defined by the inclusion of a cross, which the subject depicts or holds, serving as a primary symbolic element within the composition.

This religious attribute likely signifies the sitter's piety or noble status associated with spiritual orders. The artwork, executed in oil on canvas, represents the sitter through the lens of early eighteenth-century portraiture conventions found in the Spanish court context.

Technique & Style

Created in 1700, this work is executed in oil paint on a canvas support. The piece measures 81 cm in height and 60 cm in width. As a formal portrait by Francisco Ignacio Ruiz de la Iglesia, the composition depicts Maria Guadalupe Lancaster, duquesa de Aveiro, alongside a cross, consistent with the genre of religious portraiture.

History & Provenance

The painting was produced in 1700 by Francisco Ignacio Ruiz de la Iglesia, executed in oil on canvas. It is held in the collection of the Museo del Prado, where it remains located. The work depicts María de Guadalupe of Lencastre, identified by a cross, and measures 81 cm in height by 60 cm in width.

The painting is housed in the Museo del Prado, where it is catalogued under the inventory number P009686. It has been included in several temporary exhibitions at the museum, most recently in the 2015 exhibition 'Baroque Masters of the Iberian Peninsula.'

Context

The painting Maria Guadalupe Lancaster duquesa de Aveiro was created in 1700 by Francisco Ignacio Ruiz de la Iglesia. It depicts the saint Maria de Guadalupe of Lencastre and is executed in oil paint on canvas. The work measures 81 cm in height and 60 cm in width.

It is part of the collection at the Museo del Prado in Madrid. This piece exemplifies early 18th-century religious painting in Spain and reflects the devotional trends within the broader Spanish Baroque context. Contemporary scholarship situates the artwork within the oeuvre of Ruiz de la Iglesia as a key figure in ecclesiastical art of the period.

Legacy

The painting's influence is noted through its inclusion in the Museo del Prado collection, where it remains on display, underscoring its enduring reputation as a significant example of 18th-century Spanish portraiture. Its legacy is further affirmed by scholarly attention to the work within art historical discourse, particularly regarding the depiction of religious cross symbolism in devotional art of the period.

Overview

Francisco Ignacio Ruiz de la Iglesia’s oil on canvas, dated 1700, is part of the Prado Museum’s collection. The work presents a solitary female figure rendered against a deep, shadowed backdrop, her solemn gaze directed toward the viewer. The composition is anchored by a prominent cross held in her right hand, lending the piece a devotional tone.