Artwork

冨嶽三十六景 駿州片倉茶園の不二|Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

冨嶽三十六景 駿州片倉茶園の不二|Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ink, 1831
冨嶽三十六景 駿州片倉茶園の不二|Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ink, 1831

冨嶽三十六景 駿州片倉茶園の不二|Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) is an ink print by the Japonisme artist Katsushika Hokusai. It dates from 1831 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Created around 1831, this woodblock print by Katsushika Hokusai belongs to his celebrated series of thirty-six views of Mount Fuji. The image depicts a tranquil rural settlement set against the iconic, snow‑capped peak, rendered in ink and color on paper. The work is part of the Metropolitan Museum of Art’s collection.

Subject & Meaning

The composition presents a modest village beside a river, where laborers tend fields, haul bundles of hay, and traverse a narrow path. Thatched cottages cluster near the water’s edge, while a solitary tree anchors the right side of the scene. The distant, towering Fuji provides a monumental backdrop that underscores the relationship between everyday life and the enduring landscape.

Technique & Style

Hokusai employs the ukiyo‑e woodblock method, using flat washes of pigment and clean, unembellished lines to suggest spatial recession. The limited palette and restrained shading create a sense of calm, while the contrast between the delicate village details and the massive, blue‑sky‑capped mountain emphasizes depth without relying on intricate perspective.

History & Provenance

Printed in the late Edo period, the piece is one of the later additions to Hokusai’s Thirty‑six Views series, which circulated widely in Japan and abroad. After changing hands among private collectors, the print entered the Metropolitan Museum of Art, where it remains on display as part of the museum’s Asian art holdings.

冨嶽三十六景 下目黒|Lower Meguro (Shimo Meguro), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
冨嶽三十六景 下目黒|Lower Meguro (Shimo Meguro), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai

Artist & collection

Portrait of Katsushika Hokusai

Artist

Katsushika Hokusai

Katsushika Hokusai spent his life in Edo, now Tokyo, where he drew and carved prints for a living.

Frequently asked questions

Who painted 冨嶽三十六景 駿州片倉茶園の不二|Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)?

冨嶽三十六景 駿州片倉茶園の不二|Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) was painted by Katsushika Hokusai in 1831.

Where can I see 冨嶽三十六景 駿州片倉茶園の不二|Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)?

冨嶽三十六景 駿州片倉茶園の不二|Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) is held by Metropolitan Museum of Art.

What movement is 冨嶽三十六景 駿州片倉茶園の不二|Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)?

冨嶽三十六景 駿州片倉茶園の不二|Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) is associated with Japonisme.