Josef de Jaudenes y Nebot

Gilbert Stuart executed the portrait of Josef de Jaudenes y Nebot in 1794 using oil paint on canvas. The work measures approximately 128.9 centimeters in height and 101 centimeters in width. Classified as a portrait, the piece features the sitter rendered in Stuart's characteristic handling of the medium.

The painting is held in the collection of the Metropolitan Museum of Art, specifically in The American Wing. The formal presentation focuses on the subject through the traditional oil-on-canvas technique typical of Stuart's portraiture from this period.

The portrait of Josef de Jaudenes y Nebot was created by Gilbert Stuart in 1794. Executed in oil on canvas, the work measures 128.9 centimeters in height and 101 centimeters in width. It is currently held in the collection of the Metropolitan Museum of Art, where it is classified under The American Wing.

Specific commission details and the chain of ownership prior to the museum's acquisition are not documented in available sources.

The portrait of Josef de Jaudenes y Nebot, painted by Gilbert Stuart in 1794, is recognized today for its place in the canon of early American portraiture. Its inclusion in The American Wing of the Metropolitan Museum of Art has cemented its scholarly attention and public visibility, allowing the work to serve as a reference point for studies of Stuart's technique and the representation of Spanish-descended elites in the young republic. The museum's stewardship of the canvas underscores its lasting reputation as a benchmark of 18th-century portraiture.

This oil on canvas depicts Josef de Jaudenes y Nebot, a Spanish diplomat, painted by Gilbert Stuart in 1794. The portrait captures the sitter with a direct gaze, his lips slightly parted as if in conversation, conveying a sense of immediate presence. Stuart's distinctive brushwork imbues the subject with a lifelike quality, making the figure appear both formal and approachable.

Painted in 1794, this work places Josef de Jaudenes y Nebot within the dynamic political landscape of early America, where he served as a Spanish envoy. This same year was pivotal for Gilbert Stuart, as he also created the preparatory studies for his renowned portrait of George Washington, which would later appear on the dollar bill. The painting thus reflects a period of significant diplomatic and artistic activity in the young nation.