Provenance · Acquisition fund
Rogers
This catalog gathers 203 public-domain works acquired through the Rogers fund. Every work is held by Metropolitan Museum of Art.
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The Rocky Mountains, Lander's Peak -
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Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain -
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The Marquis de Lafayette -
金處士筆 十王図の内|Ten Kings of Hell -
南宋 金處士 十王圖 軸|Ten Kings of Hell -
明 /清 佚名 李公麟 偽款 龍王請齋圖 卷|Buddhist luohans crossing the sea to the palace of the dragon king -
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Josef de Jaudenes y Nebot -
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Mrs. James Lowndes (Catherine Osborn) -
清 佚名 蘇蕙璇璣圖 卷|Lady Su Hui and Her Verse Puzzle -
清 張賜寧 設色山水 卷|Landscape -
Merrymaking at a Wayside Inn -
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慈恩大師像|Portrait of Jion Daishi (Guiji) -
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壺天樂聚|Merry Gatherings in the Magic Jar -
Captain Graham -
八字文殊菩薩像|Monju Bosatsu with Eight Sacred Sanskrit Syllables -
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南宋 佚名 阿彌陀佛圖 軸|Buddha Amitabha Descending from His Pure Land -
아미타불과 지장보살도 고려|阿彌陀佛・地藏菩薩圖 高麗|Amitabha and Kshitigarba -
金處士筆 十王図の内|Ten Kings of Hell -
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Benson John Lossing -
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永樂保全筆 「陶造」|Making Ceramics -
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Fortune: A Study for "The Discoverer" -
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Portrait of a Lady -
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Mrs. George P. Burne -
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永樂保全筆 「陶造」|Making Ceramics -
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明 佚名 傳仇英 唐宫圖 軸|A Tang Palace -
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幻の源氏物語絵巻 「葵」|“Leaves of Wild Ginger” (Aoi), from the Phantom Genji Scrolls (Maboroshi no Genji monogatari emaki) -
Canton Waterfront (The Hongs at Canton) -
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Exhibition of Indian Tribal Ceremonies at the Olympic Theater, Philadelphia -
百人一首 うはかゑとき 持統天皇|Poem by Jitō Tenno (Empress Jitō), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) -
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楊貴妃図 (Yō Kihi zu)|Yang Guifei -
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A View of the Potomac at Harpers Ferry -
山姥と金太郎|Yamauba and Kintarō Playing with a Cherry -
鈴木春信画 若水を汲む男女|Drawing the First Water of the New Year -
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New York City and Harbor from Weehawken -
The Monument to Alexander Hamilton at Weehawken -
Niagara Falls—Table Rock by Moonlight -
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Full Sail off Sandy Hook—Entrance to New York Harbor -
Centre Square and the Marble Water Works, Philadelphia -
Standing Woman with Man in Outline -
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Study of a Man -
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明 十竹齋書畫譜 四開|Leaf from the Ten Bamboo Studio Manual of Painting and Calligraphy -
保元平治合戦図屏風|The Rebellions of the Hōgen and Heiji Eras -
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冨嶽三十六景 相州箱根湖水|The Lake at Hakone in Sagami Province (Sōshū Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) -
近江八景 石山秋月|The Autumn Moon on Ishiyama -
葛飾北斎画 冨嶽三十六景
御厩川岸より両国橋夕陽見|Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) -
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浪花名所図会 今宮 十日恵比寿|Imamiya Toka Ebisu -
歌川広重画 「近江八景之内 唐崎夜雨」|Night Rain at Karasaki, from the series Eight Views of Ōmi (Ōmi hakkei no uchi) -
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諸國名橋奇覧 すほうの国きんたいはし|Kintai Bridge in Suō Province (Suō no kuni Kintaibashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran) -
百人一首 姥か恵と起 大中臣能宣朝臣|Poem by Ōnakatomi no Yoshinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) -
歌川国芳画 「高祖御一代略図 佐州塚原雪中」|Concise Illustrated Biography of Monk Nichiren: In Snow at Tsukahara on Sado Island -
東海道五十三次 藤川|Fujikawa -
冨嶽三十六景 相州七里浜|Shichirigahama in Sagami Province (Sōshū Shichirigahama), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) -
東海道五十三次 京 三条大橋図|Kyoto: Sanju Ohashi no zu. -
東海道五十三次之内 藤澤 遊行寺|Fujiwara; Yugyoji -
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百人一首 うばがゑとき 伊勢|Poem by Ise, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) -
Asakusa Kinryuzan shita Azumabashi uchu nozomi|東都名所 浅草金龍山下東橋雨中望|View of the Asakusa Kinryuzan Temple from the Azuma Bridge in the Rain -
清 王槩 設計,李漁出版 芥子園畫傳 版本|Landscape after Fan Kuan (active ca. 990–1030), from the Mustard Seed Garden Manual of Painting -
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東海道五十三次之内 掛川 秋葉山遠望|Kakegawa, Akihasan Empo -
『画本虫撰』「きりきりす」「蝉」|Grasshopper (Kirigirisu); Cicada (Semi), from the Picture Book of Crawling Creatures (Ehon mushi erami) -
浪花名所図会 順慶町夜見世の図|Junkei machi Yomise no Zu -
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冨嶽三十六景 甲州石班沢|Kajikazawa in Kai Province (Kōshū Kajikazawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) -
東海道五十三次之内 濱松 冬枯の図|Hamamatsu, Toko no Zu -
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江戸高名会亭尽 深川八幡境内 二軒茶屋|Fukagawa Hachiman Keidai (Niken Jya-ya) -
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東海道五十三次 三島|Mishima, from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Mishima), also known as the Kyōka (Witty Verse) Tōkaidō -
富士三十六景 東都両ごく|Toto, Ryogoku, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) -
「富嶽三十六景 凱風快晴」|South Wind, Clear Sky (Gaifū kaisei), also known as Red Fuji, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) -
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冨嶽三十六景 神奈川沖浪裏|Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) -
「名所江戸百景 蓑輪 金杉 三河しま」|“Minowa, Kanasugi at Mikawashima,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Minowa Kanasugi, Mikawashima) -
木曽海道六拾九次之内 下諏訪|Shimono Suwa Station -
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東海道五十三次之内 袋井 出茶屋の図|Fukuroi; De Chaya -
京都名所之内 四条河原夕涼|Cooling off in the Evening at Shijogawara -
吾妻美人ゑらみ|A Tea-house Waitress -
近江八景之内 三井晩鐘|Vesper Bell at Mii Temple, Lake Biwa -
六十余州名所図会 肥後 五ヶの庄|Goka no Shō, Higo Province, from the series Views of Famous Places in the Sixty-Odd Provinces -
吾妻の森|View of Azuma Wood -
江戸高名会亭尽 山谷 八百善|San-ya (Yaozen) -
江戸高名会亭尽 向島の図 平岩|Mukojima no Zu (Hira-Iwa) -
東都名所 品川大井 八景坂鎧掛松|Shinagawa Hakkei Zaka -
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東海道五十三次 神奈川|Kanagawa -
東海道五十三次之内 藤川 棒鼻の図|Fujikawa, Bo Bana -
歌川広重画 「近江八景 三井晩鐘」|Evening Bell at Miidera Temple, from the series Eight Views of Ōmi (Ōmi hakkei) -
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江戸高名会亭尽 芝神明社内 車轍楼|Shiba Shinmeisha Uchi (Shatetsu-ro) -
江戸高名会亭尽 本所小梅 小倉庵|Honjo Komme (Ogura-an) -
五十三次名所図会 見付 天竜川舟渡し|Mitsuke -
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清 王槩 設計,李漁出版 芥子園畫傳 版本|Old Trees by Li Cheng (919–967), as interpreted by Kuncan (1612–1673), from the Mustard Seed Garden Manual of Painting -
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Gompachi Komurasaki no Toko no Tsuki|逢身八契 権八小紫の床の通気|Shared Feelings in the Bedchamber of Komurasaki and Gompachi -
勝川春好画 七代目片岡仁左衛門 五代目市川團十郎|Kabuki Actor Kataoka Nizaemon VII -
Kisojo no San Sen|木曽路之山川|The Kiso Mountains in Snow -
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江戸高名会亭尽 王子 扇屋|The Ōgiya at Ōji -
江戸高名会亭尽 隅田川橋場渡之図 柳屋|Sumidagawa Hashiba Watashi Zu (Yanagiya) -
勝川春章画 五代目市川團十郎|Kabuki Actor Ichikawa Danjūrō V -
京都名所之内 淀川|Yodogawa -
東海道五十三次 石薬師|Ishiyakushi -
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江戸高名会亭尽 雑司ヶ谷の図 茗荷屋|Zoshigaya no Zu (Myoga-ya) -
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勝川春章画 二代目中村傳九郎|Kabuki Actor Nakamura Denkurō II -
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『北国五色墨』「おいらん」|“High-Ranking Courtesan” (Oiran), from the series Five Shades of Ink in the Northern Quarter (Hokkoku goshiki-zumi), -
江戸高名会亭尽 牛嶋 武蔵屋|Ushijima (Musashi-ya) -
歌川広重画 「近江八景 矢橋帰帆」|Returning Fishing Boats at Yabase, from the series Eight Views of Ōmi (Ōmi hakkei) -
東海道五十三次 大磯|Ōiso -
名所江戸百景 王子装束ゑの木大晦日の狐火|New Year's Eve Foxfires at the Changing Tree, Ōji -
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東海道五十三次 小田原|Odawara -
Drawing (design for fork and spoon) -
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東海道五十三次之内 関 本陣早立|Seki, Honjin Sotatsu
Showing the 200 most prominent of 203 works in this provenance.
On provenance & the public domain
A credit line — the small "Acquisition fund of…" note beside a work on a museum wall — records its provenance: how the object passed from a private hand into a public collection, whether as an outright gift, a bequest left in a will, the purchase from a named endowment, or an entire collection acquired at once. Because these works are in the public domain, anyone can study, share, and reproduce them freely. Browsing by provenance follows the human story behind a museum's holdings — the collectors and benefactors whose generosity put these works where the public can see them.
Every work in this catalog is in the public domain; images come from the museums that hold them.