Who painted Virgin Enthroned in Glory with Saint Peter?

Virgin Enthroned in Glory with Saint Peter was painted by Johann Gottfried Haid in 1750.

Where can I see Virgin Enthroned in Glory with Saint Peter?

Virgin Enthroned in Glory with Saint Peter is held by National Gallery of Art.

What movement is Virgin Enthroned in Glory with Saint Peter?

Virgin Enthroned in Glory with Saint Peter is associated with Baroque.

Can I buy a print of Virgin Enthroned in Glory with Saint Peter?

Museum-quality prints of Virgin Enthroned in Glory with Saint Peter are available made-to-order from Artifact World Gallery.

Artwork

Virgin Enthroned in Glory with Saint Peter

Johann Gottfried Haid , 1750

Virgin Enthroned in Glory with Saint Peter is an ink print by the Baroque artist Johann Gottfried Haid. It dates from 1750 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower left in plate: Joh Daniel Herz excudit Aug. Vind.; lower right in plate: Gottfried Heid fecit.; by later hand, lower right verso in graphite: DTBA-AHS

About this work

Overview

Johann Gottfried Haid’s etching titled Virgin Enthroned in Glory with Saint Peter dates from around 1750. Executed on laid paper, the work is part of the National Gallery of Art’s collection in Washington, D.C. It presents a devotional scene in which the Virgin Mary occupies a central, elevated throne, while Saint Peter kneels at her feet.

Subject & Meaning

The composition portrays Mary as the queen of heaven, holding a scepter and a globe that symbolize her authority and universal guardianship. Saint Peter’s reverent posture underscores his role as the first pope and gatekeeper of the celestial realm, emphasizing the hierarchy of intercessors within Catholic theology.

Technique & Style

Haid employs the etching medium to achieve fine line work and subtle tonal contrasts, creating a sense of depth through layered clouds and radiant light. The dramatic chiaroscuro and heightened emotional expression align the piece with Baroque sensibilities, despite being a print rather than a painted canvas.

History & Provenance

Created in the mid‑18th century, the etching reflects Haid’s activity within the German printmaking tradition. It entered the National Gallery of Art’s holdings through acquisition in the 20th century, though earlier ownership records remain sparse.

Context

During the period, religious imagery continued to serve both devotional and didactic purposes, often circulated through prints to reach a broader audience. Haid’s work fits within this tradition, offering a portable yet richly detailed visual meditation on Marian veneration.