1738
ink
From the collection of National Gallery of Art
The Prima Macchina for the Chinea of 1738: Allegory of Regal Providence is a 1738 ink by Pierre Parrocel, a Baroque work, held at National Gallery of Art.
This crowded scene shows a chaotic mix of people, animals, and ruins climbing a rocky hill. At the top, a few figures look down from a chariot pulled by winged creatures. Below, others struggle with tools, scrolls, or weapons, while a few animals—like a horse and a ram—stand among them. The whole image is drawn in dark lines on a light background, with no color. The title calls it an "allegory," meaning it’s not just a scene but a symbol—likely for power or leadership. The artist used a technique that lets them pack in lots of detail. Next, look up etching to see how artists like this made sharp, layered prints.
Pierre Parrocel (1670–1739) was an artist, born in Avignon.
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