Saint Deicolus and the Boar
1748
From the collection of Cleveland Museum of Art
1748
From the collection of Cleveland Museum of Art
Dominant colour
Saint Deicolus and the Boar is a 1748 by Johann Wolfgang Baumgartner, a Baroque work, held at Cleveland Museum of Art.
You see a saint in a forest, kneeling beside a dead boar while angels hover above. The scene is framed by swirling, fancy scrolls that look like carved wood or stone. Baumgartner turned a simple religious story into something playful. The frame isn’t real—it’s painted to look like decoration, almost like a picture inside a picture. This was common in 18th-century Germany, where art mixed storytelling with ornament. Look up *rococo* to see more of this light, decorative style.
German artist Johann Wolfgang Baumgartner's innovations in rococo design are magnificently demonstrated in this sheet showing the story of Saint Deicolus and the Boar. The format of the work imitates that of a decorative cartouche, an ornamental framework surrounding an open field usually reserved for an inscription or emblem. Baumgartner ingeniously adapted the cartouche form for this scene: the framing elements seem to grow out of the landscape but are clearly artificial, and have the appearance of exuberant metalwork intertwined with vegetation and rocks. Deicolus was an Irish saint who…
The rarely depicted St. Deicolus was an Irish monk who lived in the 600s and was known for his retreat to a hermitage in a forest.
Read the full account in the museum source.
Johann Wolfgang Baumgartner (1702–1761) was an artist, born in Ebbs.
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