Rock below Llyn Naddroedd II
1949
watercolor
From the collection of Victoria and Albert Museum
1949
watercolor
From the collection of Victoria and Albert Museum
This sketch shows a rough, jagged rock face rising out of a flat, grassy area. The artist used quick, uneven lines and smudged watercolor to make the stone look uneven and worn. Shadows cling to the crevices, while the sky above is just a pale, washed-out shape. The rough texture of the rock stands out—it’s not smooth like polished drawings. The artist focused on how light hits the edges, making some parts look sharp and others soft. Next, check out John Piper to see how he worked with light in other landscapes.