Who painted 明佚名倣陸治山水扇|Landscape?

明佚名倣陸治山水扇|Landscape was painted by Lu Zhi in 16th century or later.

Where can I see 明佚名倣陸治山水扇|Landscape?

明佚名倣陸治山水扇|Landscape is held by Metropolitan Museum of Art.

What movement is 明佚名倣陸治山水扇|Landscape?

明佚名倣陸治山水扇|Landscape is associated with Ming dynasty painting.

Artwork

明佚名倣陸治山水扇|Landscape

Lu Zhi , 1506

明佚名倣陸治山水扇|Landscape is an ink painting by the Ming dynasty painting artist Lu Zhi. It dates from 1506 and is held in the collection of the Metropolitan Museum of Art.

About this work

Technique & Style

As a fan-format piece, the support allows for both intimate handling and display as a portable album leaf, contributing to its distinctive formal presentation.

The work is executed in ink on a gold-paper support, forming a folding fan that is subsequently mounted as an album leaf. Its dimensions, recorded in the Metropolitan Museum of Art catalogue, measure approximately 18.4 cm in height by 48.9 cm in width, and it was produced in China in 1506. The composition depicts a solitary mountain rendered in a landscape style that follows the aesthetic of the Ming-era painter Lu Zhi, employing delicate brushwork and subtle tonal gradations typical of ink-wash landscapes.

As a fan-format piece, the support allows for both intimate handling and display as a portable album leaf, contributing to its distinctive formal presentation.

History & Provenance

The work, identified as a landscape painting on a folding fan mounted as an album leaf, is attributed to an anonymous artist imitating the style of the Ming dynasty painter Lu Zhi. Although the title references Lu Zhi, the work is credited to an unknown hand executing it in his manner. It was produced in China and is dated to 1506.

It is currently held in the collection of the Metropolitan Museum of Art, New York, under accession number 13.100.59. The artwork is executed in ink on gold paper and measures 18.4 cm in height by 48.9 cm in width. No specific commission details or intermediate ownership records prior to its acquisition by the museum are provided in the available documentation.

Overview

This Ming dynasty landscape, rendered in ink on gold paper, is an anonymous work created in the manner of the artist Lu Zhi. Originally a folding fan, it has since been mounted as an album leaf. The painting depicts a serene mountain vista, characterized by its delicate execution and distinctive medium.

Subject & Meaning

The composition features a tranquil mountain scene, where peaks emerge from a soft mist. Trees are sparsely distributed across the terrain, and a diminutive temple is nestled within the landscape, suggesting human presence without dominating the natural grandeur. The overall impression is one of quiet contemplation and atmospheric depth.

Context

This painting reflects the artistic influence of Lu Zhi, a prominent Ming dynasty painter known for his refined landscapes. The anonymous artist adopted Lu Zhi's characteristic approach to ink, particularly in rendering atmospheric effects. The format as a folding fan, later converted into an album leaf, was a common medium for intimate and portable artworks during this period.