Artwork
All Our Children

All Our Children is a paint painting by the Contemporary Realist artist Melissa Kitty Jarram. It dates from 2020 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
Proceeds from the collection fund the charity’s services, embedding social purpose into its production and distribution.
This painting is part of Bethany Williams’s fashion collection titled All Our Children, created in collaboration with families supported by The Magpie Project, a charity aiding homeless households in Newham, East London. The work emerged from a participatory process in which parents and children contributed directly to the design. Proceeds from the collection fund the charity’s services, embedding social purpose into its production and distribution.
Subject & Meaning
The scene depicts a mother cradling her infant in a modest interior, illuminated by a single lamp. Floral wallpaper suggests a domestic space, however constrained. The intimacy of the moment reflects the quiet resilience of families experiencing housing insecurity.
By centering these figures, the work affirms their dignity and visibility, transforming personal vulnerability into a shared visual narrative.
Technique & Style
The painting employs soft, muted tones and careful attention to texture, fabric folds, paper patterns, and the glow of lamplight are rendered with quiet precision. The composition is intimate and contained, drawing focus to the figures’ connection. Its aesthetic aligns with Williams’s broader design ethos: handcrafted, deliberate, and rooted in material authenticity rather than spectacle.
History & Provenance
The artwork was produced as part of a 2021 fashion collection developed in partnership with artist Melissa Jarram and families from The Magpie Project. The Victoria and Albert Museum’s Young V&A acquired the piece to document the full lifecycle of socially engaged design, from concept to community impact. It is displayed as evidence of design’s role in addressing systemic social needs.
Context
At the time of its creation, thousands of families in London were living in temporary or inadequate housing. The Magpie Project offered practical support, including childcare and advocacy. Williams’s project responded to this crisis not through charity alone, but by inviting those affected to shape the very objects meant to support them, turning fashion into a vehicle for mutual aid.
Legacy
All Our Children redefined the boundaries of fashion design by positioning beneficiaries as co-authors. Its inclusion in a major museum collection signals a shift in how design institutions recognize socially embedded practice. The work endures not as a static artifact, but as a model for ethical collaboration between creators, communities, and institutions.
Artist & collection
Artist
Melissa Kitty Jarram paints contemporary scenes with a painterly touch. Her 2020 work All Our Children shows a quiet street corner at dusk, children playing near a glowing shop window. The scene feels familiar yet…










